Tag Archives: historical fiction

The Twelve Tribes of Hattie by Ayana Mathis

The Twelve Tribes of Hattie by Ayana Mathis (Vintage; 320 pages; $15.95).

One of my favorite novels from 2012 is now available in paperback.  Trust me–you’ll love it.

Reading Ayana Mathis’ epic debut The Twelve Tribes of Hattie, I could not help but think of the poem “A Dream Deferred” by Harlem Renaissance poet Langston Hughes (1902-1967).

hughes

What happens to a dream deferred?

 

Does it dry up

like a raisin in the sun?

Or fester like a sore—

and then run?

Does it stink like rotting meat?

Or crust and sugar over—

like a syrupy sweet?

 

Maybe it just sags

like a heavy load.

 

Or does it explode?[1]

 

hattie paperbackHattie, Mathis’ central character, and her family left their home in Georgia as part of the African-American exodus to the North during the Great Migration. Six million blacks moved out of the rural South to the Northeast, Midwest, and West from around 1910 to 1970.

When their exodus began, slavery had long been abolished.  Yet, African-Americans were still very much bound.  Segregation, discrimination, and physical violence prompted blacks to hope for better lives in urban centers like Chicago and New York City.  Some may have had families in those cities; others set out with uncertainty, knowing no one but desperate for better lives.  The dreams of many were fulfilled as they found jobs and discovered new avenues open to them.  The dreams of others, as Hughes lyrically laments, were deferred.

Hattie belongs in the latter category. In 1925, she and her husband, August, live in Philadelphia, where they rent a house and where August works long hours.  Hattie gives birth to twins, Philadelphia and Jubliee, appellations “that weren’t already chiseled on a headstone in the family plots in Georgia…names of promise and of hope, reaching forward names, not looking back ones.”

The names she chooses for her children are significant.  Philadelphia represents their new home, the city of Philadelphia.  Hattie has high hopes for her family’s future in this great city.  The name then carries with it all of Hattie’s optimisms and dreams.  The name Jubilee evokes echoes of the African-American Juneteenth celebrations that marked the end of slavery (the first celebration occurred June 19, 1865).  In the North, Hattie’s children are free and do not have to worry about seeing August beaten, as Hattie once saw happen to her own father.  In Philadelphia, Hattie is certain that her twins will have opportunities she did not have growing up in Georgia.

When the twins become ill with pneumonia at seven months old, Hattie’s world is shaken. She tries to lessen their cough with eucalyptus, but the plant is difficult to find in Philadelphia.  When Hattie finds the plant, she has to buy it.  This feels so wrong to her.  Back home in Georgia, a eucalyptus tree is located directly “across from Hattie’s house.”  Such a stark realization leaves her bitter–especially when she cannot save them.

What happens to a dream deferred?  For Hattie, losing the twins is earth-shattering.  She feels as if a part of her dies with Philadelphia and Jubilee.  Hattie and August go on to have other children, but Hattie is never the same after the tragedy.

For her other offspring to survive in this world, Hattie must harden herself so she can harden them.  If they are to survive, then Hattie must be a survivor.  She will hold them at arm’s length if it means they will reach adulthood.  She will close herself off from them if it means they will grow up.

Mathis then switches gears and focuses on what happens to Hattie’s eleven children and one grand-child, her twelve tribes.  When we meet each of Hattie’s progeny in wholly intimate chapters, they are all on the cusp of something: grappling with identity, homophobia, abuse, jealousy, and sickness.  Mathis also illustrates through these chapters how Hattie’s children see her as a cold, bitter, and sometimes hateful woman.   The structure of the chapters also allows us to see how things change as the years pass.  Although Hattie and August grow apart, she still stays with him, even after she has a baby by another man and runs away.  She feels bound to August and stays by his side through affairs and economic hardships.

The Twelve Tribes of Hattie cuts to the quick.  Mathis employs incisive, gritty dialogue that lodges itself deep in the hearts and guts of readers.  She can be elegantly precise yet equally coarse and raw when necessary, showing an amazing range of talent.

For me, Mathis’ other characters pale next to Hattie.  The author provides fascinating windows into Hattie’s psyche through her twelve tribes.  We know what they do not.  We know why she is cold, bitter, and sometimes hateful.

ayana-mathis-AUTHORMathis is by no means using Hattie to represent all African-American women who left the South to make new lives in the North.  Instead, Mathis is re-presenting one possible story through the character of Hattie.  Mathis wants to show the gritty underbelly of a family who took part in the Great Migration with all the sufferings and ordeals such an epic journey would entail.

Hattie’s dream of a new life did not go the way she had hoped it would.  Hattie’s was a dream deferred that festered, crusted over, and dried up.  Surely, Hattie would say her heart rotted and stank.  Perhaps she exploded from the pain.  Hattie had to survive so her children would.  What a heavy load she carried.  What a stunning literary achievement from Mathis as she chronicles one woman’s trials and tribulations.  The Twelve Tribes of Hattie resonates with meaning and with beauty.

 


[1] Langston Hughes, “Harlem” from Collected Poems. Copyright © 1994 by The Estate of Langston Hughes.

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The Girl You Left Behind by Jojo Moyes

Book Review: The Girl You Left Behind by Jojo Moyes (Pamela Dorman Books/Viking; 384 pages; $27.95).

           girl This book is not just about a painting; it’s not just about a wife left behind during wartime; it’s not just about a young widow whose husband died unexpectedly; it’s not just about a random girl a guy meets in a bar; it’s not just about a bitter woman whose German husband was an officer occupying a foreign country; and it’s not just about a beloved sister whose family never spoke of her again.  The title of Jojo Moyes’ incredibly affecting and thought-provoking third novel The Girl You Left Behind (her second was the 2012 breakout word-of-mouth bestseller Me Before You) has multiple meanings throughout her absorbing narrative.   One thing, though, is certain: her powerful female characters will linger long after you close the book.

Employing a dual narrative format, Moyes moves from World War I-era occupied France to 2006 London.  In 1916, Sophie struggles to feed her family; she watches as her family and her village collapse.  Her husband fights for France, while Sophie skirmishes just as he does but on another battlefield, one immensely more complicated.  After German forces take control of her family’s hotel, Sophie and her husband’s painting, The Girl You Left Behind, draw the eye of the Kommandant.  When the enemy takes her spouse prisoner, Sophie will use every means at her disposal to free him.  In 2006, Liv labors to stay in the home her late husband, an architect, built.  Bills pile up, and work is difficult to find.  She cherishes a piece of artwork her husband gave to her as a wedding present during their honeymoon to Barcelona.  Entitled The Girl You Left Behind, the painting symbolizes their happy life together.  When Liv learns the painting was perhaps a spoil of war, she is determined to fight to keep her most prized possession.

Both Sophie and Liv are strong women who threaten to leap off Moyes’ pages, and thank goodness for that.  I loved these ladies; moyesthrough her narrators, Moyes explores such universal themes as conflict, faithfulness, survival, loss, restitution, property rights, and love.   I identified with both women equally, even though Moyes writes them very differently, varying perspective and tense as she tells their stories.

Equally impressive and bold are Moyes’ minor female characters: Mo, lovingly quirky, gives Liv a dose of tough love; Louanne Baker, brash and ballsy American reporter covering the American liberation of Nazi concentration camps, who comes alive in her journals; and Liliane, perhaps the bravest in the whole book, who risks her life for her village and for her country.

If you enjoy reading novels set during wartime (like Sarah’s Key) or stories in which artwork features prominently in the story (such as Pictures of an Exhibition or The Art Forger), I highly recommend The Girl You Left Behind.  Moyes’ tale will resonate with anyone who has ever fought for the person or thing she loves most in the world.  I never thought Moyes would ever be able to top Me Before You, but, amazingly, she does!  Some advice—don’t let this be the book you left behind.

The Girl You Left Behind by Jojo Moyes is the She Reads October Book Club Selection.  To read more reviews of the book, enter exciting giveaways, connect with other readers, and discuss the story, please visit She Reads.

 

 

 

 

 

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Rasputin’s Shadow by Raymond Khoury

Blog Tour: Rasputin’s Shadow by Raymond Khoury (Dutton Books; 384 pages; $27.95).

About The Book:

On a cold, bleak day in 1916, all hell breaks loose in a mining pit in the Ural Mountains.  Overcome by a strange paranoia, the rasputinminers attack one another, savagely and ferociously.  Minutes later, two men–a horrified scientist and Grigory Rasputin, trusted confidant of the czar, hit a detonator, blowing up the mine to conceal all evidence of the carnage.

In the present day, FBI agent Sean Reilly’s search for Reed Corrigan, the CIA mind-control spook who brainwashed Reilly’s son, takes a back seat to a new, disturbing case.  A Russian embassy attache seems to have committed suicide by jumping out of a fourth-story window in Queens.  The apartment’s owner, a retired physics teacher from Russia, has also gone missing.

Joined by Russian FSB agent Larisa Sokolova, Reilly’s investigation into the old man’s identity will uncover a desperate search for a small, mysterious device, with consequences that reach back in history, and if placed in the wrong hands could have a devastating impact on the modern world.

 

About The Author:

khoury

Raymond Khoury is the bestselling author of The Devil’s Elixir, The Last Templar, The Sanctuary, The Sign, and The Templar Salvation.  An acclaimed screenwriter and producer for both television and film, Khoury now lives in London with his wife and two children.

 

Bookmagnet Says:

I have been a fan of Raymond Khoury ever since I stumbled upon The Last Templar back in 2006.  Unlike a lot of other writers of mysteries and thrillers, Khoury has managed not only to sustain my interest in his stories and his recurring characters but he also stimulates my mind by delving into history.  His newest novel Rasputin’s Shadow is no exception.  From its explosive (literally) beginning to a stunning climax to a satisfying conclusion, Rasputin’s Shadow is the thriller of the year. Khoury effectively blends mystery, action, and intrigue with history, producing a compelling, pleasing story.   If the late, great Tom Clancy was the master of the Twentieth-Century thriller, Raymond Khoury is his Twenty-First Century successor.

 

Mini Q&A with Author Raymond Khoury

Rasputin is known as one of the most elusive figures in Russian history, but what specifically drew you to him as a character for your upcoming novel, RASPUTIN’S SHADOW?

Grigory Rasputin

Grigory Rasputin

As with previous novels, it was an unplanned convergence of influences. Very early into my research on the central theme of this book, mind control and how much we know about the way our brains work, I read about a Russian scientist who had been carrying out some pretty shocking “Manchurian candidate”-style experiments during the Cold War. He was described as having “Rasputin-like powers.” And that just lit up inside me. It was the perfect historical parallel for what I was working on, the big daddy of mind control, and the fact that Rasputin’s story had also taken place in Russia was too irresistible to ignore. The story fell into place within seconds. Like Hannibal Smith used to say, “I love it when a plan comes together.”

Your novels contain a lot of historical truths, so how do you go about researching your subject before you dive into the story?  Did anything surprise you during your research for this book?

I probably do a lot more research than I need to for my novels, for several reasons: part of it is simple curiosity: I just find it interesting to educate myself about the topics and themes I’m curious about, and it’s so easy to get swept up in surfing from one link to the next. Also, I have this obsession with wanting every detail in my books, historical or otherwise, to be accurate. I remember being on a panel with Harlan Coben once, and he said, “we’re fiction writers, we can just make things up.” And he’s right, of course, we do—a lot. But I feel a need to know exactly what a Turkish horse-trader in the 13th century would have been wearing, what he would have eaten, what his sword (scimitar!) would have looked like, before writing him into a book. And that takes a lot of research that can only end up as a sentence here or a word there. The big scene at the end of The Templar Salvation, for instance, the plane and the sea, or the one where the Italian gets chucked out of it earlier on: I went through every detail of those sequences with a pilot who owns that exact plane, and we made sure everything I wrote was not only correct, but doable.

In past reviews your writing has been called “cinematic.” Do you consciously try to write this way? Or do you think that thrillers naturally lend themselves to this style of writing?

I see my stories visually, it’s hugely important for me. I see the scenes unfurling in my mind as I’m writing them, and I often sketch out storyboards for the big set pieces to “direct” them as I write them out. Thrillers naturally lend themselves to this style, and to be frank with you, I’m often disappointed by thrillers that turn out to have limited scale in their visuals. What I mean is that as a writer, you can almost take any scene and ratchet up the suspense and the scale without necessarily turning it into ridiculous, comic-book-like, over-the-top mindless action. Think of a director like Michael Mann, for instance, and the bank robbery scene from “Heat.” Or any scene from “Collateral.” Or read “Marathon Man,” which is exactly similar, beat for beat, to the great movie it spawned. In my mind, a real thriller should have a ‘cinematic’ aspect, but it’s crucial to keep it within the confines of reality.

What impact, if any, do you think your experience as a screenwriter and producer has on your ability to paint a vivid description in your novel writing?

Huge impact, no doubt. I’m always told by readers that they could “see” the book like a movie while reading it. I don’t believe in taking shortcuts. If the FBI is shadowing a hostage trade-off between a group of Russian mafiya thugs and some Korean gangsters in some remote Brooklyn shipyard in the dead of the night, that’s an opportunity for a major set-piece with a lot of suspense, it deserves to be cinematic. I believe good writing should conjure up vivid visuals in the mind of the reader and should kick up as much adrenaline in him or her as a great movie would.

What types of characters do you most enjoy writing?

I enjoy spending time with all my characters. RASPUTIN’S SHADOW probably has the largest cast of characters I’ve used in a novel, and I really enjoyed creating them and exploring their own foibles. That said, I usually enjoy writing the main antagonists most: characters like Vance in THE LAST TEMPLAR, the Hakeem in THE SANCTUARY, Zahed in THE TEMPLAR SALVATION, and El Brujo in THE DEVIL’S ELIXIR (no spoilers about the new book here!). They’re never clear-cut bad guys, nothing’s black or white. They have histories, they have reasons for doing what they’re doing, we need to wonder what we’d have done if we had been in their situation. The grey area of human nature is very interesting to me. I also hugely enjoy writing the historical characters: Rasputin and Misha, or course, in the new book; but also, Sebastian and Theresia’s love story in THE SANCTUARY and Conrad and Maysoon’s one in THE TEMPLAR SALVATION are particular favourites.

 Raymond-Khoury-168x120

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Fall for These October Titles

Fall is finally here, bringing cooler weather and big books.  No, I don’t mean the ones you could use as doorstops.  We’re talking great reads from both established and new writers, novels that are sure to make many best-of-year lists.

What To Read Now:

burial rites

From Little, Brown and Company

A brilliant literary debut, inspired by a true story: the final days of a young woman accused of murder in Iceland in 1829.  Set against Iceland’s stark landscape, Hannah Kent brings to vivid life the story of Agnes, who, charged with the brutal murder of her former master, is sent to an isolated farm to await execution.  Horrified at the prospect of housing a convicted murderer, the family at first avoids Agnes. Only Tóti, a priest Agnes has mysteriously chosen to be her spiritual guardian, seeks to understand her. But as Agnes’s death looms, the farmer’s wife and their daughters learn there is another side to the sensational story they’ve heard.  Riveting and rich with lyricism, BURIAL RITES evokes a dramatic existence in a distant time and place, and asks the question, how can one woman hope to endure when her life depends upon the stories told by others?

A much-buzzed about (and well-deserved!) book from a brilliant new literary voice.

 

Coming Soon:

Arcade Publishing, October 1

Sex is forbidden at the Dasgupta Institute, the Buddhist retreat where Beth Marriot has taken refuge, and that’s a big advantage. Bethsex is forbidden has been working as a server, assisting in the kitchen and helping out–discreetly, so the meditators aren’t disturbed. The meditators are making big sacrifices to come here and change their lives. So the servers must observe the rules, and silence and separation of the sexes are chief among them.But Beth is fighting demons. She came here at a crossroads in her life, caught between an older lover who wouldn’t choose her and a young one who wants to marry her, and she may have caused another man’s death when she risked her own life swimming out to sea in a gale. A singer in a band, vital and impulsive, fleshy and sexy, she has been a rebel and a provocateur. And now, conflicted and wandering, she stumbles on a diary in the men’s dorm and cannot keep away from it, or the man who wrote it. At the same time, desiring–all too hard–to achieve the inner peace that Buddhist practice promises, she yearns for the example set by the slim, silent, white-clad teacher Mi Nu, and maybe yearns for something more.Comic and poignant at the same time, swiftly paced and completely engaging, Sex Is Forbidden is an entertaining novel about two profoundly different attitudes to life, and Beth–our narrator–is a character to be savored.

 

Faber & Faber, October 1

night guestA mesmerizing first novel about trust, dependence, and fear, from a major new writer.  Ruth is widowed, her sons are grown, and she lives in an isolated beach house outside of town. Her routines are few and small. One day a stranger arrives at her door, looking as if she has been blown in from the sea. This woman—Frida—claims to be a care worker sent by the government. Ruth lets her in.
Now that Frida is in her house, is Ruth right to fear the tiger she hears on the prowl at night, far from its jungle habitat? Why do memories of childhood in Fiji press upon her with increasing urgency? How far can she trust this mysterious woman, Frida, who seems to carry with her her own troubled past? And how far can Ruth trust herself?  The Night Guest, Fiona McFarlane’s hypnotic first novel, is no simple tale of a crime committed and a mystery solved. This is a tale that soars above its own suspense to tell us, with exceptional grace and beauty, about aging, love, trust, dependence, and fear; about processes of colonization; and about things (and people) in places they shouldn’t be. Here is a new writer who comes to us fully formed, working wonders with language, renewing our faith in the power of fiction to describe the mysterious workings of our minds. 

 

Simon & Schuster, October 1

 

rosie project

An international sensation, this hilarious, feel-good novel is narrated by an oddly charming and socially challenged genetics professor on an unusual quest: to find out if he is capable of true love.  Don Tillman, professor of genetics, has never been on a second date. He is a man who can count all his friends on the fingers of one hand, whose lifelong difficulty with social rituals has convinced him that he is simply not wired for romance. So when an acquaintance informs him that he would make a “wonderful” husband, his first reaction is shock. Yet he must concede to the statistical probability that there is someone for everyone, and he embarks upon The Wife Project. In the orderly, evidence-based manner with which he approaches all things, Don sets out to find the perfect partner. She will be punctual and logical—most definitely not a barmaid, a smoker, a drinker, or a late-arriver.  
Yet Rosie Jarman is all these things. She is also beguiling, fiery, intelligent—and on a quest of her own. She is looking for her biological father, a search that a certain DNA expert might be able to help her with. Don’s Wife Project takes a back burner to the Father Project and an unlikely relationship blooms, forcing the scientifically minded geneticist to confront the spontaneous whirlwind that is Rosie—and the realization that love is not always what looks good on paper.  The Rosie Project is a moving and hilarious novel for anyone who has ever tenaciously gone after life or love in the face of overwhelming challenges.

 

William Morrow, October 1

tilted worldSet against the backdrop of the historic 1927 Mississippi Flood, a story of murder and moonshine, sandbagging and saboteurs, dynamite and deluge-and a man and a woman who find unexpected love-from Tom Franklin, author of the bestselling Crooked Letter, Crooked Letter, and his wife, Pushcart Prize-winning poet Beth Ann Fennelly.  The year is 1927. As rains swell the Mississippi, the mighty river threatens to burst its banks and engulf all in its path, including federal revenue agent Ted Ingersoll and his partner, Ham Johnson. Arriving in the tiny hamlet of Hobnob, Mississippi, to investigate the disappearance of two fellow agents on the trail of a local bootlegger, they unexpectedly find an abandoned baby boy at a crime scene.  An orphan raised by nuns, Ingersoll is determined to find the infant a home, a search that leads him to Dixie Clay Holliver. A lonely woman married too young to a charming and sometimes violent philanderer, Dixie Clay has lost her only child to illness and is powerless to resist this second chance at motherhood. From the moment they meet, Ingersoll and Dixie Clay are drawn to each other. He has no idea that she’s the best bootlegger in the county and may be connected to the missing agents. And while he seems kind and gentle, Dixie Clay knows he is the enemy and must not be trusted.  Then a deadly new peril arises, endangering them all. A saboteur, hired by rich New Orleans bankers eager to protect their city, is planning to dynamite the levee and flood Hobnob, where the river bends precariously. Now, with time running out, Ingersoll, Ham, and Dixie Clay must make desperate choices, choices that will radically transform their lives-if they survive.

 

Viking Adult, October 1

signature

A glorious, sweeping novel of desire, ambition, and the thirst for knowledge, from the # 1 New York Times bestselling author of Eat, Pray, Love and Committed.  In The Signature of All Things, Elizabeth Gilbert returns to fiction, inserting her inimitable voice into an enthralling story of love, adventure and discovery. Spanning much of the eighteenth and nineteenth centuries, the novel follows the fortunes of the extraordinary Whittaker family as led by the enterprising Henry Whittaker—a poor-born Englishman who makes a great fortune in the South American quinine trade, eventually becoming the richest man in Philadelphia. Born in 1800, Henry’s brilliant daughter, Alma (who inherits both her father’s money and his mind), ultimately becomes a botanist of considerable gifts herself. As Alma’s research takes her deeper into the mysteries of evolution, she falls in love with a man named Ambrose Pike who makes incomparable paintings of orchids and who draws her in the exact opposite direction—into the realm of the spiritual, the divine, and the magical. Alma is a clear-minded scientist; Ambrose a utopian artist—but what unites this unlikely couple is a desperate need to understand the workings of this world and the mechanisms behind all life.  Exquisitely researched and told at a galloping pace, The Signature of All Things soars across the globe—from London to Peru to Philadelphia to Tahiti to Amsterdam, and beyond. Along the way, the story is peopled with unforgettable characters: missionaries, abolitionists, adventurers, astronomers, sea captains, geniuses, and the quite mad. But most memorable of all, it is the story of Alma Whittaker, who—born in the Age of Enlightenment, but living well into the Industrial Revolution—bears witness to that extraordinary moment in human history when all the old assumptions about science, religion, commerce, and class were exploding into dangerous new ideas. Written in the bold, questing spirit of that singular time, Gilbert’s wise, deep, and spellbinding tale is certain to capture the hearts and minds of readers.

W.W. Norton & Company, October 7

In this heartbreakingly beautiful book of disillusioned intimacy and persistent yearning, beloved and celebrated author Andre Dubusdirty love III explores the bottomless needs and stubborn weaknesses of people seeking gratification in food and sex, work and love.  In these linked novellas in which characters walk out the back door of one story and into the next, love is “dirty”—tangled up with need, power, boredom, ego, fear, and fantasy. On the Massachusetts coast north of Boston, a controlling manager, Mark, discovers his wife’s infidelity after twenty-five years of marriage. An overweight young woman, Marla, gains a romantic partner but loses her innocence. A philandering bartender/aspiring poet, Robert, betrays his pregnant wife. And in the stunning title novella, a teenage girl named Devon, fleeing a dirty image of her posted online, seeks respect in the eyes of her widowed great-uncle Francis and of an Iraq vet she’s met surfing the Web.  Slivered by happiness and discontent, aging and death, but also persistent hope and forgiveness, these beautifully wrought narratives express extraordinary tenderness toward human beings, our vulnerable hearts and bodies, our fulfilling and unfulfilling lives alone and with others.

 

Dutton Adult, October 8

rasputinAn ingenious, fast-paced historical thriller from the author of the New York Times bestseller The Last Templar.  On a cold, bleak day in 1916, all hell breaks loose in a mining pit in the Ural Mountains. Overcome by a strange paranoia, the miners attack one another, savagely and ferociously. Minutes later, two men—a horrified scientist and Grigory Rasputin, trusted confidant of the tsar—hit a detonator, blowing up the mine to conceal all evidence of the carnage.  In the present day, FBI agent Sean Reilly’s search for Reed Corrigan, the CIA mindcontrol spook who brainwashed Reilly’s son, takes a backseat to a new, disturbing case. A Russian embassy attaché seems to have committed suicide by jumping out of a fourth-floor window in Queens. The apartment’s owners, a retired physics teacher from Russia and his wife, have gone missing, and further investigation reveals that the former may not be who the FBI believe him to be.
Joined by Russian Federal Security Service agent Larisa Tchoumitcheva, Reilly’s investigation of the old man’s identity will uncover a desperate search for a small, mysterious device, with consequences that reach back in time and which, in the wrong hands, could have a devastating impact on the modern world.  Packed with the twists, intrigue, and excitement that Khoury’s many fans have come to expect, Rasputin’s Shadow will keep readers turning pages long into the night.

 

Random House, October 8

In a riveting novel rooted in one of American history’s great “what ifs,” Jim Lehrer tells the story of two men haunted by the events osycamore rowleading up to John F. Kennedy’s assassination.   November 22, 1963. As Air Force One touches down in Dallas, ambitious young newspaper reporter Jack Gilmore races to get the scoop on preparations for President Kennedy’s motorcade. Will the bubble top on the presidential limousine be up or down? Down, according to veteran Secret Service agent Van Walters. The decision to leave the top down and expose JFK to fire from above will weigh on Van’s conscience for decades. But will it also change the course of history?  Five years after the assassination, Jack gets an anguished phone call from Van’s daughter Marti. Van Walters is ravaged by guilt, so convinced that his actions led to JFK’s death that he has lost the will to live. In a desperate bid to deliver her father from his demons, Marti enlists Jack’s help in a risky reenactment designed to prove once and for all whatwould have happened had the bubble top stayed in place on that grim November day.  For Jack, it’s a chance to break a once-in-a-lifetime story that could make his career. But for Van the stakes are even higher. The outcome of a ballistics test conducted on the grounds of a secluded estate in upstate New York might just save his life—or push him over the edge.   A page-turning historical novel with the beating heart of a thriller, Top Down could only have sprung from the fertile imagination of Jim Lehrer. Drawing on his own experience as an eyewitness to the events described, one of America’s most respected journalists has crafted an engrossing story out of the emotional aftershocks of a national tragedy.

 

William Morrow, October 8

lighthouse island

The bestselling author of the highly praised novels The Color of Lightning, Stormy Weather, and Enemy Women pushes into new territory with this captivating and atmospheric story set in the far future-a literary dystopian tale resonant with love and hope.  In the coming centuries the world’s population has exploded and covered the earth with cities, animals are nearly all gone and drought has taken over so that cloudy water is issued by the quart. There are no maps, no borders, no numbered years. On this urban planet the only relief from overcrowding and the harsh rule of the big Agencies is the television in every living space, with its dreams of vanished waterfalls and the promise of virtual vacations in green spaces, won by the lucky few.  It is an unwelcoming world for an orphan like Nadia Stepan. Abandoned by her parents on a crowded street when she was four, the little girl is shuttled from orphanage to orphanage, foster-family to foster-family. Nadia grows up dreaming of the vacation spot called Lighthouse Island, in a place called the Pacific Northwest. She becomes obsessed with it and is determined to somehow find her way there. In the meantime this bright and witty orphan falls into the refuge of old and neglected books; the lost world of the imagination. And beyond the confusion and overcrowding and the relentless television noise, comes a radio voice from an abandoned satellite that patiently reads, over and over, the great classical books of the world-Big Radio, a voice in the night that lifts Nadia out of the dull and perpetual Present.  An opportunity for escape appears and Nadia takes it, abandoning everything to strike out for Lighthouse Island in a dangerous and sometimes comic adventure. She meets every contingency with bottomless inventiveness meets the man who changes the course of her life: James Orotov, mapmaker and demolition expert. Together they evade arrest and head north toward a place of wild beauty that lies beyond the megapolis-Lighthouse Island and its all-seeing eye.

 

Crown, October 8

 

dani lancingFor fans of Tana French and The Silent Wife, THE LAST WINTER OF DANI LANCING is a chilling debut thriller hailed by Sophie Hannah as “brilliant” about one murder’s devastating ripple effects.
Twenty years ago, college student Dani Lancing was kidnapped and brutally murdered. The killer was never found. Dani’s family never found peace.   Thrust into an intense devastation that nearly destroys their marriage, Patty and Jim Lancing struggle to deal with their harrowing loss. Patty is fanatically obsessed with the cold case; consumed by every possible clue or suspect no matter how far-fetched, she goes to horrifying lengths to help clarify the past.  Meanwhile, Jim has become a shell of his former self, broken down and haunted—sometimes literally—by his young daughter’s death. Dani’s childhood sweetheart, Tom, handles his own grief every day on the job—he’s become a detective intent on solving murders of other young women, and hopes to one day close Dani’s case himself.   Then everything changes when Tom finds a promising new lead. As lies and secrets are unearthed, the heartbreaking truth behind Dani’s murder is finally revealed.  THE LAST WINTER OF DANI LANCING is a shockingly disturbing and deeply powerful debut, and P.D. Viner immediately joins the ranks of Tana French, A. S. A. Harrison, and Gillian Flynn.

 

Knopf, October 15

mad about the boy

Bridget Jones is back!  Great comic writers are as rare as hen’s teeth. And Helen is one of a very select band who have created a character of whom the very thought makes you smile. Bridget Jones’ Diary, charting the life of a 30-something singleton in London in the 1990s was a huge international bestseller, published in 40 countries and selling over 15 million copies worldwide. Its sequel, Bridget Jones: The Edge of Reason, published soon after was also a major international bestseller. Both were made into films starring Renée Zellweger, Hugh Grant and Colin Firth.  Set in the present, the new novel will explore a different phase in Bridget’s life with an entirely new scenario. As Helen Fielding has said: “If people laugh as much reading it as I am while writing it then we’ll all be very happy.”

 

 

 

Little, Brown and Company, October 15

From the author of The Rehearsal and shortlisted for the Man Booker Prize, a breathtaking feat of storytelling luminarieswhere everything is connected, but nothing is as it seems….It is 1866, and Walter Moody has come to make his fortune upon the New Zealand goldfields. On the stormy night of his arrival, he stumbles across a tense gathering of twelve local men, who have met in secret to discuss a series of unsolved crimes. A wealthy man has vanished, a prostitute has tried to end her life, and an enormous fortune has been discovered in the home of a luckless drunk. Moody is soon drawn into the mystery: a network of fates and fortunes that is as complex and exquisitely patterned as the night sky.  Eleanor Catton was only 22 when she wrote The Rehearsal, which Adam Ross in the New York Times Book Review praised as “a wildly brilliant and precocious first novel” and Joshua Ferris called “a mesmerizing, labyrinthine, intricately patterned and astonishingly original novel.” The Luminaries amply confirms that early promise, and secures Catton’s reputation as one of the most dazzling and inventive young writers at work today.

 

Gallery Books, October 15

rice

New York Times bestselling author Christopher Rice brilliantly conjures the shadowed terrors of the Louisiana bayou—where three friends confront a deadly, ancient evil rising to the surface—in this intense and atmospheric new supernatural thriller.  It’s been a decade since the Delongpre family vanished near Bayou Rabineaux, and still no one can explain the events of that dark and sweltering night. No one except Niquette Delongpre, the survivor who ran away from the mangled stretch of guardrail on Highway 22 where the impossible occurred…and kept on running. Who left behind her best friends, Ben and Anthem, to save them from her newfound capacity for destruction…and who alone knows the source of her very bizarre—and very deadly—abilities: an isolated strip of swampland called Elysium.  An accomplished surgeon, Niquette’s father dreamed of transforming the dense acreage surrounded by murky waters into a palatial compound befitting the name his beloved wife gave to it, Elysium: “the final resting place for the heroic and virtuous.” Then, ten years ago, construction workers dug into a long-hidden well, one that snaked down into the deep, black waters of the Louisiana swamp and stirred something that had been there for centuries—a microscopic parasite that perverts the mind and corrupts the body.  Niquette is living proof that things done can’t be undone. Nothing will put her family back together again. And nothing can save her. But as Niquette, Ben, and Anthem uncover the truth of a devastating parasite that has the potential to alter the future of humankind, Niquette grasps the most chilling truths of all: someone else has been infected too. And unlike her, this man is not content to live in the shadows. He is intent to use his newfound powers for one reason only: revenge.

 

Little, Brown and Company, October 22

goldfinchThe author of the classic bestsellers The Secret History andThe Little Friend returns with a brilliant, highly anticipated new novel.   Composed with the skills of a master, The Goldfinch is a haunted odyssey through present day America and a drama of enthralling force and acuity.  It begins with a boy. Theo Decker, a thirteen-year-old New Yorker, miraculously survives an accident that kills his mother. Abandoned by his father, Theo is taken in by the family of a wealthy friend. Bewildered by his strange new home on Park Avenue, disturbed by schoolmates who don’t know how to talk to him, and tormented above all by his unbearable longing for his mother, he clings to one thing that reminds him of her: a small, mysteriously captivating painting that ultimately draws Theo into the underworld of art.   As an adult, Theo moves silkily between the drawing rooms of the rich and the dusty labyrinth of an antiques store where he works. He is alienated and in love-and at the center of a narrowing, ever more dangerous circle.   The Goldfinch is a novel of shocking narrative energy and power. It combines unforgettably vivid characters, mesmerizing language, and breathtaking suspense, while plumbing with a philosopher’s calm the deepest mysteries of love, identity, and art. It is a beautiful, stay-up-all-night and tell-all-your-friends triumph, an old-fashioned story of loss and obsession, survival and self-invention, and the ruthless machinations of fate.

 

Katherine Tegen Books, October 22

allegiantOne choice will define you.
What if your whole world was a lie?
What if a single revelation—like a single choice—changed everything?
What if love and loyalty made you do things you never expected?

The faction-based society that Tris Prior once believed in is shattered—fractured by violence and power struggles and scarred by loss and betrayal. So when offered a chance to explore the world past the limits she’s known, Tris is ready. Perhaps beyond the fence, she and Tobias will find a simple new life together, free from complicated lies, tangled loyalties, and painful memories.
But Tris’s new reality is even more alarming than the one she left behind. Old discoveries are quickly rendered meaningless. Explosive new truths change the hearts of those she loves. And once again, Tris must battle to comprehend the complexities of human nature—and of herself—while facing impossible choices about courage, allegiance, sacrifice, and love.

Told from a riveting dual perspective, Allegiant, by #1 New York Times best-selling author Veronica Roth, brings the Divergent series to a powerful conclusion while revealing the secrets of the dystopian world that has captivated millions of readers in Divergent and Insurgent.

 

Doubleday, October 22

sycamore rowJohn Grisham takes you back to where it all began . . . John Grisham’s A Time to Kill is one of the most popular novels of our time. Now we return to that famous courthouse in Clanton as Jake Brigance once again finds himself embroiled in a fiercely controversial trial-a trial that will expose old racial tensions and force Ford County to confront its tortured history.  Seth Hubbard is a wealthy man dying of lung cancer. He trusts no one. Before he hangs himself from a sycamore tree, Hubbard leaves a new, handwritten, will. It is an act that drags his adult children, his black maid, and Jake into a conflict as riveting and dramatic as the murder trial that made Brigance one of Ford County’s most notorious citizens, just three years earlier.  The second will raises far more questions than it answers. Why would Hubbard leave nearly all of his fortune to his maid? Had chemotherapy and painkillers affected his ability to think clearly? And what does it all have to do with a piece of land once known as Sycamore Row?  In Sycamore Row, John Grisham returns to the setting and the compelling characters that first established him as America’s favorite storyteller. Here, in his most assured and thrilling novel yet, is a powerful testament to the fact that Grisham remains the master of the legal thriller, nearly twenty-five years after the publication of A Time to Kill.

 

Well, now you know what I’ll be reading this month!  Which of these titles are on your to-be-read list?  Which other October books are you excited about?  I’d love to hear from you.

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The Good Lord Bird by James McBride

Book Review: The Good Lord Bird by James McBride (Riverhead Books; 432 pages; $27.95).

Throughout history and fiction, women have disguised themselves as men; it is quite uncommon, though, for a boy to disguise good-lord-bird1.jpghimself as a girl and continue the charade for decades.  However, that is just what Little Onion does in James McBride’s brilliant and exhilarating novel The Good Lord Bird.  McBride re-imagines the life of John Brown and his followers while simultaneously fashioning a remarkable and amusing character in the form of Little Onion.  Through Little Onion’s eyes, McBride recreates Brown’s raid on Harper’s Ferry, one of the most crucial chapters in American history and one that helped spark the Civil War.

History has shown us just how charismatic Brown could be, but the magnetic Little Onion steals the spotlight from Brown time and again.  Born in Kansas Territory, young Henry Shackleford is a slave when pro-slavery and anti-slavery factions make the state a battleground, hence the term “Bleeding Kansas.”  Brown arrives and gets involved in an argument in a local barber shop.  The ensuing act of violence forces Brown to flee—with Henry in tow.  The kicker is that Brown thinks Henry is a girl named Henrietta.  Henry does not tell Brown the truth about his gender.

“Truth is,” McBride writes, “lying come natural to all Negroes during slave time, for no man or woman in bondage ever prospered stating their true thoughts to the boss.  Much of colored life was an act, and the Negroes that sawed wood and said nothing lived the longest.  So I weren’t going to tell him nothing about me being a boy.”

If that does not make you laugh or at least smile, consider this: Henry is skilled at the art of zinging one-liners and entertains even in the gravest of situations.  When Brown goes off on tangents, Henry admits, “I didn’t know what the hell he was talking about, but, being he was a lunatic, I nodded my head yes.”

The young slave “girl” makes a big impression on Brown when “she” eats his good-luck charm—an onion.  From that moment on, Brown calls Henry “Little Onion.”  McBride’s two main characters play well off each other and make for humorous reading.

Little Onion’s masquerade also has a serious side and allows McBride to portray Henry as a trickster.  Henry’s charade is a variation of the traditional African trickster tale.  These stories, which originated in Africa and were part of the oral history of African American slaves, served as thinly-disguised social protest against white masters and featured animals as the main characters instead of real people.  In these parables, small, weak, seemingly powerless animals used their cunning to outwit larger, powerful creatures.  A rabbit might represent the weaker animal while a wolf stood for the larger one as is the case with the Briar Rabbit tales.  Whites saw such stories as fables, nothing more.  For slaves, the tales were altogether different and meaningful.  The allegories symbolically assaulted the powerful, who worked to ensnare slaves but who became themselves ensnared.  Trickster tales sought to upset traditional social roles and served as a vehicle allowing slaves to ridicule whites and get away with it.  By fooling John Brown, Henry sees himself as one-upping the white man.  His ruse works well, and that is a credit to McBride’s ingenuity.

James_McBrideMcBride cleverly juxtaposes drama and history with comedy and humor.  Uproarious laughs pepper Little Onion’s encounters with historical figures.  The funniest of these occurs when he meets Frederick Douglass (1818-1895), reformer, abolitionist, and former slave.  Upon their first meeting, Little Onion says, “Morning, Fred.”  Douglass is livid: “Don’t you know you are not addressing a pork chop, but rather a fairly considerable and incorrigible piece of the American Negro diaspora?”  A few pages later, an inebriated Douglass makes a pass at Henrietta and mistakenly calls her “Harlot” before finally saying “Don’t marry two women at once…Colored or white, it’ll whip you scandalous” (In The Good Lord Bird, Douglass commits bigamy as he is married to Anna Murray-Douglass and Ottilie Assing, a German journalist.  In actuality, Douglass never married Assing, but McBride’s vision makes for interesting reading).

Henry Shackleford may be a figment of McBride’s imagination but as you read this novel you forget that it’s fiction. McBride brings his characters to life like you’ve never seen them before.  A multi-faceted and marvelous story, The Good Lord Bird explores identity, home, place, survival, slave life, and how far a man will go for a cause.  Little Onion’s voice resonates with authenticity and humor.  In re-telling one of the most important events in American history, McBride creates a rousing romp of a story.

Breaking News–The Good Lord Bird has been longlisted for a 2013 National Book Award in fiction.  It’s my pick because I absolutely love it!

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2013 National Book Award in Fiction Longlist

Don’t you just love this time of year?  Awards time!  No, not the Emmys or any of that, but the National Book Awards, of course!

The 2013 National Book Award in Fiction longlist was recently announced.

Here are the novels in contention for America’s top literary prize:

f_silber_fools

f_saunders_tenth

f_pynchon_bleeding

f_mcdermott_someone

f_mcbride_good

f_marra_constellation

f_lahiri_lowland

f_kushner_flamethrowers

f_graver_end

f_drury_pacific

Which of these have you read?  Any surprises??  Any book and author who you believe should have been but was not?

Which do you think will take home the title?  Do you have a favorite among these contenders?

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The Rathbones by Janice Clark

Book Review: The Rathbones by Janice Clark (Doubleday; 384 pages; $26.95)

As summer slowly fades into fall, we sometimes yearn for something more in a novel, a story that invades our hearts and our souls, a rathbones1.jpgtale that leaves us astounded. I always find myself turning to the sea this time of year.  September is also the month in which I first read favorites like Ahab’s Wife by Sena Jeter Naslund and Galore by Michael Crummey, books with premises devoted wholly to the briny depths.  Longing for cooler weather after a long, hot Southern summer may play a huge role in this inclination of mine, but I think it has more to do with the storyteller.

In her riveting and magical debut The Rathbones, Janice Clark stunningly intertwines Greek myth, Gothic elements, Moby Dick, coming of age, and maritime adventure to tell the epic saga of a once proud Connecticut whaling dynasty.  The Rathbones is populated by unforgettable and powerful characters, none of whom dazzle more than Mercy, who, at fifteen years of age, sets off on a quest to find her missing father.  Verity, Mercy’s mother, has spent seven years waiting for her husband, Benadam Gale, lost at sea.  Clark draws parallels to Homer’s Odyssey in which Penelope faithfully awaited the return of her husband Odysseus; however, Mercy knows her mother’s true amorous, treacherous nature.  This unwelcome knowledge spurs Mercy to seek out her father, if she can find him.  Mercy’s quest soon evolves into a voyage of discovery and identity.

Accompanied by her strange and frail uncle Mordecai, Mercy uncovers a dark and murky family history.  Moses, the patriarch of the Rathbones, enjoyed the gift of second sight.  As Clark writes, Moses “knew the beat of the sea, its quick pulse along the shore and the slow swing of the tides.”  If he hunted in the woods or “walked too far away” from the water, “his breath went short and his limbs stiffened, and the sea pulled him back.”  Moses was one with the water and with the whales he could sense swimming beneath the surface.  He lacked only one thing, but it was crucial: a crew.

Moses developed a rather novel way to procure men: he would sire them.  Like Greek gods who captured mortal women, the Rathbone men stole females of child-bearing age to produce sons to man the whale boats.  Instead of “normal” names such as Benjamin, George, or Robert, Moses bestowed upon his sons appellations denoting their future duties like Harpooner, Bow-Oar, and First-Oar.  Moses’s peculiar methods worked, and the family thrived; Moses “reigned for three decades, the undisputed monarch of his maritime realm.”  His senses served Moses well, as he “knew before anyone else when the whales were coming, long before spouts showed on the horizon.”  Clark writes the Rathbone men “lived on land as they did at sea, their native skills honed by ceaseless practice, working as one organism.”  No other whaling family came close.

But it did not last.  Later generations lost the link they shared with both the sea and the whale.  The Rathbones became like stilt birds who lost their ability to fly once their basic needs were met on land.  In chronicling the ups and downs of this mesmerizing family, Clark highlights the rise and fall of the nineteenth-century whaling era.

janice clarkIn The Rathbones, Clark may channel Edgar Allen Poe, Homer, and Herman Melville, but she puts her own unique and indelible spin on this truly remarkable novel.  Clark offsets the Rathbone men and their whales with the Rathbone women, who are equally as formidable—women like the “Golden Wives,” sisters who were sold by their father, and Limpet, who Mercy and Mordecai find living in a cave.  And then there is Verity, deeply flawed, seemingly mad, and keeper of secrets—easily one of Clark’s most complex characters.

The Rathbones is like one of those sea sirens of yore.  Once you begin reading this enchanting story, you’re a goner.  You won’t be able to resist the pull of Clark’s enticingly rich characters or her magnificent setting.  With a novel like this, who’d even want to resist?  Go ahead and jump in.

 

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Great September Reads

Typically, publishers unveil some of the year’s best and biggest books in September.  Cooler weather means weightier, more serious novels.  The same is true for 2013, and I so welcome them!

Here are THE titles to read this month (or at least according to Bookmagnet).

What To Read Now:

affairs of others

From Picador

A MESMERIZING DEBUT NOVEL ABOUT A YOUNG WOMAN, HAUNTED BY LOSS, WHO REDISCOVERS PASSION AND POSSIBILITY WHEN SHE’S DRAWN INTO THE TANGLED LIVES OF HER NEIGHBORS

Five years after her young husband’s death, Celia Cassill has moved from one Brooklyn neighborhood to another, but she has not moved on. The owner of a small apartment building, she has chosen her tenants for their ability to respect one another’s privacy. Celia believes in boundaries, solitude, that she has a right to her ghosts. She is determined to live a life at a remove from the chaos and competition of modern life. Everything changes with the arrival of a new tenant, Hope, a dazzling woman of a certain age on the run from her husband’s recent betrayal. When Hope begins a torrid and noisy affair, and another tenant mysteriously disappears, the carefully constructed walls of Celia’s world are tested and the sanctity of her building is shattered—through violence and sex, in turns tender and dark. Ultimately, Celia and her tenants are forced to abandon their separate spaces for a far more intimate one, leading to a surprising conclusion and the promise of genuine joy. 

Amy Grace Loyd investigates interior spaces of the body and the New York warrens in which her characters live, offering a startling emotional honesty about the traffic between men and women. The Affairs of Others is a story about the irrepressibility of life and desire, no matter the sorrows or obstacles. 

Coming Soon:

September 3 from Little, Brown and Company

The American master’s first novel since Winter’s Bone (2006) tells of a deadly dance hall fire and its impact over several maids versiongenerations.

Alma DeGeer Dunahew, the mother of three young boys, works as the maid for a prominent citizen and his family in West Table, Missouri. Her husband is mostly absent, and, in 1929, her scandalous, beloved younger sister is one of the 42 killed in an explosion at the local dance hall. Who is to blame? Mobsters from St. Louis? The embittered local gypsies? The preacher who railed against the loose morals of the waltzing couples? Or could it have been a colossal accident? Alma thinks she knows the answer-and that its roots lie in a dangerous love affair. Her dogged pursuit of justice makes her an outcast and causes a long-standing rift with her own son. By telling her story to her grandson, she finally gains some solace-and peace for her sister. He is advised to “Tell it. Go on and tell it”-tell the story of his family’s struggles, suspicions, secrets, and triumphs.

 

 

September 3 from Algonquin

explanationThere is nothing inherently threatening about Melissa, a young evangelist hoping to write the definitive paper on intelligent design. But when she implores Andy Waite, a biology professor and a hardcore evolutionist, to direct her independent study, she becomes the catalyst for the collapsing house of cards surrounding him. As he works with Melissa, Andy finds that everything about his world is starting to add up differently. Suddenly there is the possibility of faith. But with it come responsibility and guilt—the very things that Andy has sidestepped for years. 

Professor Waite is nearing the moment when his life might settle down a bit: tenure is in sight, his daughters are starting to grow up, and he’s slowly but surely healing from the sudden loss of his wife. His life is starting to make sense again—until the scientific stance that has defined his life(and his work) is challenged by this charismatic student.

In a bravura performance, Lauren Grodstein dissects the permeable line between faith and doubt to create a fiercely intelligent story about the lies we tell ourselves, the deceptions we sustain with others, and how violated boundaries—between students and teachers, believers and nonbelievers—can have devastating consequences.

 

September 3 from Nan A. Talese

Months after the Waterless Flood pandemic has wiped out most of humanity, Toby and Ren have rescued their friend Amanda from maddaddamthe vicious Painballers. They return to the MaddAddamite cob house, newly fortified against man and giant pigoon alike. Accompanying them are the Crakers, the gentle, quasi-human species engineered by the brilliant but deceased Crake. Their reluctant prophet, Snowman-the-Jimmy, is recovering from a debilitating fever, so it’s left to Toby to preach the Craker theology, with Crake as Creator. She must also deal with cultural misunderstandings, terrible coffee, and her jealousy over her lover, Zeb. 

Zeb has been searching for Adam One, founder of the God’s Gardeners, the pacifist green religion from which Zeb broke years ago to lead the MaddAddamites in active resistance against the destructive CorpSeCorps. But now, under threat of a Painballer attack, the MaddAddamites must fight back with the aid of their newfound allies, some of whom have four trotters. At the center of MaddAddam is the story of Zeb’s dark and twisted past, which contains a lost brother, a hidden murder, a bear, and a bizarre act of revenge. 

Combining adventure, humor, romance, superb storytelling, and an imagination at once dazzlingly inventive and grounded in a recognizable world, MaddAddam is vintage Margaret Atwood—a moving and dramatic conclusion to her internationally celebrated dystopian trilogy.

 

September 10 from Ballantine

songs of willow frostTwelve-year-old William Eng, a Chinese-American boy, has lived at Seattle’s Sacred Heart Orphanage ever since his mother’s listless body was carried away from their small apartment five years ago. On his birthday—or rather, the day the nuns designate as his birthday—William and the other orphans are taken to the historical Moore Theatre, where William glimpses an actress on the silver screen who goes by the name of Willow Frost. Struck by her features, William is convinced that the movie star is his mother, Liu Song.

Determined to find Willow, and prove his mother is still alive, William escapes from Sacred Heart with his friend Charlotte. The pair navigates the streets of Seattle, where they must not only survive, but confront the mysteries of William’s past and his connection to the exotic film star. The story of Willow Frost, however, is far more complicated than the Hollywood fantasy William sees onscreen.

Shifting between the Great Depression and the 1920s, Songs of Willow Frost takes readers on an emotional journey of discovery. Jamie Ford’s sweeping book will resonate with anyone who has ever longed for the comforts of family and a place to call home.

 

September 10 from Simon & Schuster

It had been raining for weeks. Maybe months. He had forgotten the last day that it hadn’t rained, when the storms gave riversway to the pale blue of the Gulf sky, when the birds flew and the clouds were white and sunshine glistened across the drenched land.

Following years of catastrophic hurricanes, the Gulf Coast—stretching from the Florida panhandle to the western Louisiana border—has been brought to its knees. The region is so punished and depleted that the government has drawn a new boundary ninety miles north of the coastline. Life below the Line offers no services, no electricity, and no resources, and those who stay behind live by their own rules.

Cohen is one who stayed. Unable to overcome the crushing loss of his wife and unborn child who were killed during an evacuation, he returned home to Mississippi to bury them on family land. Until now he hasn’t had the strength to leave them behind, even to save himself.

But after his home is ransacked and all of his carefully accumulated supplies stolen, Cohen is finally forced from his shelter. On the road north, he encounters a colony of survivors led by a fanatical, snake-handling preacher named Aggie who has dangerous visions of repopulating the barren region.

Realizing what’s in store for the women Aggie is holding against their will, Cohen is faced with a decision: continue to the Line alone, or try to shepherd the madman’s captives across the unforgiving land with the biggest hurricane yet bearing down—and Cohen harboring a secret that may pose the greatest threat of all.

Eerily prophetic in its depiction of a southern landscape ravaged by extreme weather, Rivers is a masterful tale of survival and redemption in a world where the next devastating storm is never far behind.

 

September 10 from Random House

enonThe next novel by the Pulitzer Prize-winning author of Tinkers, in which a father’s grief over the loss of his daughter threatens to derail his life.

Powerful, brilliantly written, and deeply moving Paul Harding has, in Enon, written a worthy successor to Tinkers, a debut which John Freeman on NPR called “a masterpiece.” Drawn always to the rich landscape of his character’s inner lives, here, through the first person narrative of Charlie Crosby (grandson to George Crosby of Tinkers), Harding creates a devastating portrait of a father trying desperately to come to terms with family loss.

 

 

 

 

September 10 from Doubleday

A dazzling novel from one of our finest writers—an epic yet intimate family saga about three generations of all-dissident gardensAmerican radicals

At the center of Jonathan Lethem’s superb new novel stand two extraordinary women. Rose Zimmer, the aptly nicknamed Red Queen of Sunnyside, Queens, is an unreconstructed Communist and mercurial tyrant who terrorizes her neighborhood and her family with the ferocity of her personality and the absolutism of her beliefs. Her brilliant and willful daughter, Miriam, is equally passionate in her activism, but flees Rose’s suffocating influence and embraces the Age of Aquarius counterculture of Greenwich Village.

Both women cast spells that entrance or enchain the men in their lives: Rose’s aristocratic German Jewish husband, Albert; her nephew, the feckless chess hustler Lenny Angrush; Cicero Lookins, the brilliant son of her black cop lover; Miriam’s (slightly fraudulent) Irish folksinging husband, Tommy Gogan; their bewildered son, Sergius. These flawed, idealistic people all struggle to follow their own utopian dreams in an America where radicalism is viewed with bemusement, hostility, or indifference.

As the decades pass—from the parlor communism of the ’30s, McCarthyism, the civil rights movement, ragged ’70s communes, the romanticization of the Sandinistas, up to the Occupy movement of the moment—we come to understand through Lethem’s extraordinarily vivid storytelling that the personal may be political, but the political, even more so, is personal.

Brilliantly constructed as it weaves across time and among characters,Dissident Gardens is riotous and haunting, satiric and sympathetic—and a joy to read.

 

September 17 from Soho

a beautiful truthTold simultaneously from the perspective of humans and chimpanzees, set in a Vermont home and a Florida primate research facility, A Beautiful Truth—at times brutal, other times deeply moving—is about the simple truths that transcend species, the meaning of family, the lure of belonging, and the capacity for survival.

A powerful and haunting meditation on human nature told from the dual perspectives of a Vermont family that has adopted a chimp as a surrogate son, and a group of chimpanzees in a Florida research institute.

Looee, a chimp raised by a well-meaning and compassionate human couple who cannot conceive a baby of their own, is forever set apart.  He’s not human, but with his peculiar upbringing he is no longer like other chimps.  One tragic night Looee’s two natures collide and their unique family is forever changed.

At the Girdish Institute in Florida, a group of chimpanzees has been studied for decades.  The work at Girdish has proven that chimps have memories and solve problems, that they can learn language and need friends, and that they build complex cultures. They are political, altruistic, get angry, and forgive. When Looee is moved to the Institute, he is forced to try to find a place in their world.

A Beautiful Truth is an epic and heartfelt story about parenthood, friendship, loneliness, fear and conflict, about the things we hold sacred as humans and how much we have in common with our animal relatives. A novel of great heart and wisdom from a literary master, it exposes the yearnings, cruelty, and resilience of all great apes.

 

September 24 from Little, Brown and Company

A taut, thrilling adventure story about buried treasure, a manhunt, and a woman determined to make a new life for herself in the outcastsold west.

It’s the 19th century on the Gulf Coast, a time of opportunity and lawlessness. After escaping the Texas brothel where she’d been a virtual prisoner, Lucinda Carter heads for Middle Bayou to meet her lover, who has a plan to make them both rich, chasing rumors of a pirate’s buried treasure. 

Meanwhile Nate Cannon, a young Texas policeman with a pure heart and a strong sense of justice, is on the hunt for a ruthless killer named McGill who has claimed the lives of men, women, and even children across the frontier. Who–if anyone–will survive when their paths finally cross? 

As Lucinda and Nate’s stories converge, guns are drawn, debts are paid, and Kathleen Kent delivers an unforgettable portrait of a woman who will stop at nothing to make a new life for herself.

 

 

September 24 from A.A. Knopf

lowlandTwo brothers bound by tragedy; a fiercely brilliant woman haunted by her past; a country torn by revolution: the Pulitzer Prize winner and #1 New York Times best-selling author gives us a powerful new novel-set in both India and America-that explores the price of idealism and a love that can last long past death.

Growing up in Calcutta, born just fifteen months apart, Subhash and Udayan Mitra are inseparable brothers, one often mistaken for the other. But they are also opposites, with gravely different futures ahead of them. It is the 1960s, and Udayan-charismatic and impulsive-finds himself drawn to the Naxalite movement, a rebellion waged to eradicate inequity and poverty: he will give everything, risk all, for what he believes. Subhash, the dutiful son, does not share his brother’s political passion; he leaves home to pursue a life of scientific research in a quiet, coastal corner of America. But when Subhash learns what happened to his brother in the lowland outside their family’s home, he comes back to India, hoping to pick up the pieces of a shattered family, and to heal the wounds Udayan left behind-including those seared in the heart of his brother’s wife.

Suspenseful, sweeping, piercingly intimate, The Lowland expands the range of one of our most dazzling storytellers, seamlessly interweaving the historical and the personal across generations and geographies. This masterly novel of fate and will, exile and return, is a tour de force and an instant classic.

 


September 24 from St. Martin’s Press

When prestigious plantation owner Cornelius Allen gives his daughter Clarissa’s hand in marriage, she takes with her a gift: Sarah—wedding gifther slave and her half-sister.  Raised by an educated mother, Clarissa is not a proper southern belle she appears to be with ambitions of loving who she chooses and Sarah equally hides behind the façade of being a docile house slave as she plots to escape. Both women bring these tumultuous secrets and desires with them to their new home, igniting events that spiral into a tale beyond what you ever imagined possible and it will leave you enraptured until the very end.

Told through alternating viewpoints of Sarah and Theodora Allen, Cornelius’ wife, Marlen Suyapa Bodden’s The Wedding Gift is an intimate portrait that will leave readers breathless.

 

 

 

 

 

 

Now that you know my picks for the best books of September, I want to hear from you!  Which titles will you read?  What books are you hoping to read in September?

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Spotlight on The Good Lord Bird by James McBride

good lord bird

About The Book:

From Riverhead Hardcover

From the bestselling author of The Color of Water and Song Yet Sung comes the story of a young boy born a slave who joins John Brown’s antislavery crusade—and who must pass as a girl to survive.

Henry Shackleford is a young slave living in the Kansas Territory in 1857, when the region is a battleground between anti- and pro-slavery forces. When John Brown, the legendary abolitionist, arrives in the area, an argument between Brown and Henry’s master quickly turns violent. Henry is forced to leave town—with Brown, who believes he’s a girl.

Over the ensuing months, Henry—whom Brown nicknames Little Onion—conceals his true identity as he struggles to stay alive. Eventually Little Onion finds himself with Brown at the historic raid on Harpers Ferry in 1859—one of the great catalysts for the Civil War.

An absorbing mixture of history and imagination, and told with McBride’s meticulous eye for detail and character, The Good Lord Bird is both a rousing adventure and a moving exploration of identity and survival.

About The Author:

James McBride is an author, musician and screenwriter. His landmark memoir, “The Color of Water,” is considered an American James_McBrideclassic and read in schools and universities across the United States. His debut novel, “Miracle at St. Anna” was translated into a major motion picture directed by American film icon Spike Lee. It was released by Disney/Touchstone in September 2008. James also wrote the script for the film, now available on DVD. His novel, “Song Yet Sung,” was released in paperback in January 2009. His new novel about American revolutionary John Brown will be released in Feb. 2013. His latest work is the August 2013 film “Red Hook Summer” which he co-wrote and co-produced with acclaimed director Spike Lee.

James is the worst dancer in the history of African Americans, bar none, going back to slavetime and beyond. He should be legally barred from dancing at any party he attends. He dances with one finger in the air like a white guy.

He is also a former staff writer for The Boston Globe, People Magazine and The Washington Post. His work has appeared in Essence, Rolling Stone, and The New York Times. His April, 2007 National Geographic story entitled “Hip Hop Planet” is considered a respected treatise on African American music and culture.

James toured as a sideman with jazz legend Jimmy Scott among others. He has also written songs (music and lyrics) for Anita Baker, Grover Washington Jr., Purafe, Gary Burton, and even for the PBS television character “Barney.” He did not write the “I Love You” song for Barney but wishes he did. He received the Stephen Sondheim Award and the Richard Rodgers Foundation Horizon Award for his musical “Bo-Bos” co-written with playwright Ed Shockley. His 2003 “Riffin’ and Pontificatin’ ” Musical Tour was captured in a nationallly televised Comcast documentary. He has been featured on national radio and television in America, Europe, Australia and New Zealand.

James is a native New Yorker and a graduate of  New York City public schools. He studied composition at The Oberlin Conservatory of Music in Ohio and received his Masters in Journalism from Columbia University in New York at age 22. He holds several honorary doctorates and is currently a Distinguished Writer in Residence at New York University.

Bookmagnet Says:

I cannot stop thinking about McBride’s newest novel.  Little Onion’s voice resonates with authenticity and humor.  In re-imagining one of the most important events in American history, McBride creates a rousing romp of a story.  I absolutely loved it and plan on reviewing the book next week.

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Snow Hunters by Paul Yoon

Book Review: Snow Hunters by Paul Yoonsnow-hunters1.jpg

(Simon & Schuster; 208 pages; $22)

“That winter, during a rainfall,” Yohan “arrived in Brazil,” Paul Yoon, 5 Under 35 National Book Foundation honoree, writes in his lyrical and arresting debut Snow Hunters.   Yohan, a North Korean war refugee, seeks a new life in Brazil but cannot escape his past, even half a world away, in a port town on the country’s coast.  Yoon’s quiet yet wise protagonist and his measured yet moving language drive this relatively short novel.  Snow Hunters may be 194 pages, but it sure packs an emotional punch.

Yoon opens Snow Hunters with the kind of intense sentiment that comes to exemplify the novel as a whole.    As the cargo ship on which he is a passenger docks in a Brazilian harbor, Yohan helps the crew unload.  A sailor offers him a blue umbrella.  “From the child,” the sailor explains and points “up at the ship” where Yohan sees “a crown of hair and the length of a pale scarf gliding along the sky.”  A boy runs “after her, waving.”  Yohan hears the “delicacy and assuredness” of the girl’s voice, “the way it” rises “like a kite, the foreign cadence of words in another language.”  Her kindness, her laughter, and even the sight of children at play are a balm for Yohan.

When Yohan immigrates to Brazil, he is only 25; his age belies both the horrors and hardships of war he has witnessed.  Seeking to escape his shattered past, Yohan has defected from North Korea.  Yoon eloquently and tenderly intersperses flashbacks into the narrative, memories that take Yohan and readers back to Yohan’s homeland.  Here, Yoon delivers the same vivid and moving descriptions of Yohan’s past as he first illustrated his protagonist’s arrival in Brazil.  For example, American soldiers find Yohan and his friend and fellow soldier Peng, who had been on patrol, among bombed-out wreckage.   “Among the men he and Peng had lived with, walked with, fought and slept beside, they were the only survivors of the bombing.”  This reality is sobering, especially once Yoon reveals that the Americans discovered them only because Yohan’s nose stuck up out of the snow, like a “carrot.”  The title is taken from another, equally poignant, scene in Yohan’s past when he and Peng see a Korean family scavenging in the snow.  Peng remarks that they look like “snow hunters…the way they moved across the snow like acrobats, their bright forms growing smaller in the night….”  Yohan may call a new country home, but the Korean War remains a part of his identity, and he is haunted by the conflict.

tumblr_mg8ng0C9zU1s2baglo1_r1_1280 (1)    Slowly, Yohan becomes part of his adopted country.  New friends alleviate the pain as they each mark Yohan’s life in his or her own way: the Japanese tailor, Kiyoshi, for whom Yohan serves as apprentice; Peixe, the groundskeeper at a local church who suffered from polio as a child and walks with a cane; and the “beggar children” Bia and Santi who flit in and out of Yohan’s life.  These may be minor characters, but they happen to play significant roles in Yohan’s life.

Snow Hunters explores war, memory, identity, home, loss, trauma, forgiveness, and love—universal themes that appeal to all of us regardless of the nation in which we live.  With prose that begs to be savored, Snow Hunters proves Yoon is one of the most talented writers of his generation, and I cannot wait to see what his imagination yields next. Yoon’s passages often read like poetry.  I rarely read a sentence much less a paragraph or two over and over again, but I relished Yoon’s elegiac and commanding language.   His sentimentality makes Snow Hunters both unforgettable and stirring, which is a powerful combination.  Yohan is a simple man, but he is one of the most highly-developed characters I have ever had the pleasure of getting to know.

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