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Rasputin’s Shadow by Raymond Khoury

Blog Tour: Rasputin’s Shadow by Raymond Khoury (Dutton Books; 384 pages; $27.95).

About The Book:

On a cold, bleak day in 1916, all hell breaks loose in a mining pit in the Ural Mountains.  Overcome by a strange paranoia, the rasputinminers attack one another, savagely and ferociously.  Minutes later, two men–a horrified scientist and Grigory Rasputin, trusted confidant of the czar, hit a detonator, blowing up the mine to conceal all evidence of the carnage.

In the present day, FBI agent Sean Reilly’s search for Reed Corrigan, the CIA mind-control spook who brainwashed Reilly’s son, takes a back seat to a new, disturbing case.  A Russian embassy attache seems to have committed suicide by jumping out of a fourth-story window in Queens.  The apartment’s owner, a retired physics teacher from Russia, has also gone missing.

Joined by Russian FSB agent Larisa Sokolova, Reilly’s investigation into the old man’s identity will uncover a desperate search for a small, mysterious device, with consequences that reach back in history, and if placed in the wrong hands could have a devastating impact on the modern world.

 

About The Author:

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Raymond Khoury is the bestselling author of The Devil’s Elixir, The Last Templar, The Sanctuary, The Sign, and The Templar Salvation.  An acclaimed screenwriter and producer for both television and film, Khoury now lives in London with his wife and two children.

 

Bookmagnet Says:

I have been a fan of Raymond Khoury ever since I stumbled upon The Last Templar back in 2006.  Unlike a lot of other writers of mysteries and thrillers, Khoury has managed not only to sustain my interest in his stories and his recurring characters but he also stimulates my mind by delving into history.  His newest novel Rasputin’s Shadow is no exception.  From its explosive (literally) beginning to a stunning climax to a satisfying conclusion, Rasputin’s Shadow is the thriller of the year. Khoury effectively blends mystery, action, and intrigue with history, producing a compelling, pleasing story.   If the late, great Tom Clancy was the master of the Twentieth-Century thriller, Raymond Khoury is his Twenty-First Century successor.

 

Mini Q&A with Author Raymond Khoury

Rasputin is known as one of the most elusive figures in Russian history, but what specifically drew you to him as a character for your upcoming novel, RASPUTIN’S SHADOW?

Grigory Rasputin

Grigory Rasputin

As with previous novels, it was an unplanned convergence of influences. Very early into my research on the central theme of this book, mind control and how much we know about the way our brains work, I read about a Russian scientist who had been carrying out some pretty shocking “Manchurian candidate”-style experiments during the Cold War. He was described as having “Rasputin-like powers.” And that just lit up inside me. It was the perfect historical parallel for what I was working on, the big daddy of mind control, and the fact that Rasputin’s story had also taken place in Russia was too irresistible to ignore. The story fell into place within seconds. Like Hannibal Smith used to say, “I love it when a plan comes together.”

Your novels contain a lot of historical truths, so how do you go about researching your subject before you dive into the story?  Did anything surprise you during your research for this book?

I probably do a lot more research than I need to for my novels, for several reasons: part of it is simple curiosity: I just find it interesting to educate myself about the topics and themes I’m curious about, and it’s so easy to get swept up in surfing from one link to the next. Also, I have this obsession with wanting every detail in my books, historical or otherwise, to be accurate. I remember being on a panel with Harlan Coben once, and he said, “we’re fiction writers, we can just make things up.” And he’s right, of course, we do—a lot. But I feel a need to know exactly what a Turkish horse-trader in the 13th century would have been wearing, what he would have eaten, what his sword (scimitar!) would have looked like, before writing him into a book. And that takes a lot of research that can only end up as a sentence here or a word there. The big scene at the end of The Templar Salvation, for instance, the plane and the sea, or the one where the Italian gets chucked out of it earlier on: I went through every detail of those sequences with a pilot who owns that exact plane, and we made sure everything I wrote was not only correct, but doable.

In past reviews your writing has been called “cinematic.” Do you consciously try to write this way? Or do you think that thrillers naturally lend themselves to this style of writing?

I see my stories visually, it’s hugely important for me. I see the scenes unfurling in my mind as I’m writing them, and I often sketch out storyboards for the big set pieces to “direct” them as I write them out. Thrillers naturally lend themselves to this style, and to be frank with you, I’m often disappointed by thrillers that turn out to have limited scale in their visuals. What I mean is that as a writer, you can almost take any scene and ratchet up the suspense and the scale without necessarily turning it into ridiculous, comic-book-like, over-the-top mindless action. Think of a director like Michael Mann, for instance, and the bank robbery scene from “Heat.” Or any scene from “Collateral.” Or read “Marathon Man,” which is exactly similar, beat for beat, to the great movie it spawned. In my mind, a real thriller should have a ‘cinematic’ aspect, but it’s crucial to keep it within the confines of reality.

What impact, if any, do you think your experience as a screenwriter and producer has on your ability to paint a vivid description in your novel writing?

Huge impact, no doubt. I’m always told by readers that they could “see” the book like a movie while reading it. I don’t believe in taking shortcuts. If the FBI is shadowing a hostage trade-off between a group of Russian mafiya thugs and some Korean gangsters in some remote Brooklyn shipyard in the dead of the night, that’s an opportunity for a major set-piece with a lot of suspense, it deserves to be cinematic. I believe good writing should conjure up vivid visuals in the mind of the reader and should kick up as much adrenaline in him or her as a great movie would.

What types of characters do you most enjoy writing?

I enjoy spending time with all my characters. RASPUTIN’S SHADOW probably has the largest cast of characters I’ve used in a novel, and I really enjoyed creating them and exploring their own foibles. That said, I usually enjoy writing the main antagonists most: characters like Vance in THE LAST TEMPLAR, the Hakeem in THE SANCTUARY, Zahed in THE TEMPLAR SALVATION, and El Brujo in THE DEVIL’S ELIXIR (no spoilers about the new book here!). They’re never clear-cut bad guys, nothing’s black or white. They have histories, they have reasons for doing what they’re doing, we need to wonder what we’d have done if we had been in their situation. The grey area of human nature is very interesting to me. I also hugely enjoy writing the historical characters: Rasputin and Misha, or course, in the new book; but also, Sebastian and Theresia’s love story in THE SANCTUARY and Conrad and Maysoon’s one in THE TEMPLAR SALVATION are particular favourites.

 Raymond-Khoury-168x120

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Interview with Michael Farris Smith, Author of Rivers

Rivers by Michael Farris Smith (Simon & Schuster; 352 pages; $25).

It had been raining for weeks. Maybe months. He had forgotten the last day that it hadn’t rained, when the storms gave way to the pale blue of the Gulf sky, when the birds flew and the clouds were white and sunshine glistened across the drenched land.

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Thank you, Michael, for letting me ask you these questions.  Rivers left me chilled, gasping, and shaken to the core.  Did you always want to be a writer?

Not really. For a long time I didn’t know what I wanted to do so I was kind of a drifter. Change of scenery was something I really desired and needed so I didn’t stay in one place very long. But this restlessness took me to Europe for a few years and that’s when I began to read and that led me to the desire to write. I will say, though, that when it hit me at age 29, that’s all I wanted to do. Still is.

 

How would you describe Rivers?

Wow. That’s a tough one for the second question. I think RIVERS is about redemption, survival both emotionally and physically. I think RIVERS is about the odyssey of not only Cohen but of all the characters. There is so much to overcome. I wanted it to be more complex than simply good versus evil, and I hope it comes across that way.

What made you decide on the title?  Did you ever have any others in mind?

RIVERS wasn’t the original title. The original title had been used recently to my chagrin, but my agent and I were knocking around other ideas and when RIVERS was suggested, I thought it was perfect. It works on several different levels in the story. It’s strong, straightforward, Southern. Exactly what I wanted.

Michael, what was the impetus behind this novel?  How did you come up with the story?rivers1.jpg

There was no one thing, but several things came into play when I had the idea for RIVERS. Mississippi was still feeling, and is still feeling, the pangs of Katrina and something in me wanted to write a post-Katrina novel. But it wasn’t working and I was frustrated. At the same time I was also very much wanting to break from writing stories to writing novels and I wanted an idea that would, at the very least, picque interest. So I decided to quit banging my head against the wall with a Katrina story, and take the notion of hurricane destruction and the place and people that take the punishment and ramp it way, way up. What if a stream of hurricanes went on and on? What would it look like? What would we do? And then I started to work.

I want to talk more about Cohen.  He’s such an interesting man.  He’s a pragmatist, yet he stays in his home with the world practically coming apart around him.  He’s got a dog, a horse, and a whole lot of memories.  He’s haunted by the past.  Cohen’s a realist yet he also seems to be an idealist.  How did you come up with this character?  How easy or how difficult was it to make him so multi-layered and complex?  Is there any of you in Cohen?

I had an image of a man waking up in the middle of the night, on family land, on the Gulf Coast, after a big storm, and then he goes out to look around. And that’s really all I had. I just started to follow him, to see what he saw, to feel what he felt about what he was seeing. The layers eventually came, but I didn’t have a real game plan for Cohen other than I wanted to lay as much trouble on him as I possibly could and see how he would react. Turns out, he took a lot, and kept fighting.

I think there’s some of me in Cohen, like I guess there is in most all of my characters, but I don’t think there is much overlap. And least not consciously. He’s kind of a South Mississippi guy who grew up playing ball and riding around with a cooler of beer with his buddies and working with his hands, and that’s a pretty decent description of me.

Are there any plans on making a movie of this book?  I would love to see Matthew McConaughey as Cohen.

That’s a good suggestion. I’ll see if we can get him a copy.

Mariposa is another intriguing character and she also lets you talk about New Orleans and what happened there.  She’s also haunted.  How did you come up with the character of Mariposa?

Mariposa was so much fun to create because, like you said, she gave me the chance to use New Orleans and all the ghost stories and dark alleys of the French Quarter. I wanted some of the characters to be displaced, to have ended up in this situation by straight-up bad luck, and that’s how she came to be. I didn’t know when she was introduced limping along the side of the road that she would grow into the character that she grew into, but I’m glad she did.

How did Hurricane Katrina affect you and your friends and family?  Do you think Rivers would have ever been possible without Katrina?

I’m certain that there would have never been RIVERS without Katrina. It’s the first hurricane in my lifetime to have struck Mississippi and it had such an impact on so many people. I felt that impact and those emotions drove me through the writing of RIVERS.

rivers 1In Rivers, Cohen recalls a vacation he and his wife took to Venice.  It’s so interesting that they vacationed in the “floating city” given that New Orleans features so prominently in your story.  The low elevation of New Orleans means it’s like a bowl and this means it’s vulnerable to flooding.  Is there a reason why you had Cohen and Elisa tour Venice?

It started as a way to give some more information about Cohen and Elisa and their life before, so I sent them to Venice on a vacation for the sheer irony of the water. It was only about 4 pages, but my agent really liked it and suggested I write their entire trip. So I created about 20 pages of what their Venice experience was like and then sliced it up and put it here and there throughout RIVERS. It helped that I’ve been to Venice a few times and that is a place, much like New Orleans, with its own strange feeling. It’s so old, so beautiful and ancient one minute, then you turn a street and it’s decrepit and smelly. But it also has a haunting feel, and it seemed to be a good parallel to what was to come for Cohen and Elisa.

What kind of research did you do for Rivers?

None. I looked at a map once or twice to make sure I had the distance between places correct, but that’s it. I didn’t want to look at any footage of natural disasters or study hurricane patterns because I had a pretty strong vision of the place I was trying to create and I didn’t want it tainted.

Although this is speculative fiction, it is so powerful given our extreme weather this century.  If something similar happened in the United States, irrevocably altering the landscape of the Gulf South and the way we live, do you think things would progress as they do in Rivers?  Or would they be worse?

That’s a really good question and I’ve had this come up with other readers. About all I can say is I hope this isn’t a Gulf Coast that we ever see because there are many people in this world anxious to try and take advantage of calamity.

A great deal of loss permeates Rivers yet there is also a great deal of hope.  Was that an aim of yours when you set out to write the

michael farris smith 2story?

I think almost every story has to be about hope in some way. The novels and stories that I love center around hope and survival, whether it be emotional, spiritual, physical, psychological, whatever. The late, great Barry Hannah said all stories have to be about life and death and hope is in the middle of life and death.

I love Barry Hannah, another fellow Mississippian.  Did you have an ending in mind when you began writing Rivers or did the conclusion come to you over time?

I never have an ending in mind until I get there. I think planning too far ahead robs my characters of free will and that’s the last thing I want to do.

Which writers have influenced you the most? Who are some of your favorite authors?  What are some of your favorite books?

So many favorites: Larry Brown, Daniel Woodrell, Cormac McCarthy, Harry Crews, Jean Rhys, Ernest Hemingway, Albert Camus, Carson McCullers, Truman Capote. Some of my favorite books are The Stranger, Joe, The Crossing, Death in Venice, Old Man and the Sea, Ballad of the Sad Café, Good Morning Midnight, Feast of Snakes, The Iliad, [and] No Country for Old Men.

What do you like to do when you aren’t writing?

I like to be outside, chasing around my daughters, cooking out in the backyard, playing guitar, tailgating.

Our home state has produced truly magnificent writers—William Faulkner, Eudora Welty, Richard Ford, and Jesmyn Ward—just to name a few.  How does it feel to join their illustrious ranks?

It feels pretty good. There are so many great writers from this state, writers that you read and admire and aspire to be like, and then when you finally find your name mentioned alongside them, it’s surreal and satisfying and humbling.

What do you hope readers take with them after reading Rivers?

I hope that readers travel the same journey as Cohen and the others. I hope they are emotionally spent, that they feel the struggle, that they hope, that it’s an adventure.

What’s next for you, Michael?  Are you working on anything new?

I’m working on something but as always, you just wait and see how it goes. I’m excited about working again. There’s been a lot lately to keep me away from the healthy exercise of writing fiction and I’m ready to be back to it more consistently.

Thanks so much, Michael, for a wonderful interview.  Good luck with the book!

Thanks to you and so glad for your enthusiasm for RIVERS.

Author Website

Follow Michael on Twitter

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Meet Michael!

Friday, October 4 – Book Mart & Café, Starkville, MS: Signing from 3:00-5:00 pm

Saturday, October 5 – Barnes & Noble, Tupelo, MS: 2:00 pm

Tuesday, October 8 – Lemuria Books, Part II, Jackson, MS: Signing at 5:00. Click here to reserve a First Edition signed copy.

Wednesday, October 9 – University of Southern Mississippi, Hattiesburg, MS

October 11-12 – Southern Festival of Books, Nashville

Wednesday, October 16 – “Tea with Authors” at Mississippi Library Association Conference, Biloxi, MS

October 18-19 – Auburn Writers Conference, Auburn University

Tuesday, October 22 – Mississippi State University, Starkville, MS

October 24-26 – Welty Writers Symposium, MUW, Columbus

October 29 – Florida State University, Tallahassee, FL

Friday, November 1 – Turnrow Books, Greenwood, MS

Thursday, November 7 – Texas A&M-Commerce, Dallas, TX

Wednesday, November 13 – James Madison University, Harrisonburg, VA

Friday, November 22 – Lunch with “The Literary Club” in Columbus, MS

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The Rosie Project by Graeme Simsion

Book Review: The Rosie Project by Graeme Simsion (Simon & Schuster; 304 pages; $24).

Professor Don Tillman was once told by his friend, Daphne, that he would make someone a wonderful husband.  Daphne’s rosie projectdeclaration flabbergasted Don, as it was “so contrary” to his “experiences of being rejected by women.” Determined to find the right woman, the geneticist uses the same methodical approach to selecting a mate as he employs in science.  The Wife Project thus commences.  When Rosie Jarman enters Don’s life, his formerly careful, orderly, and unyielding world spins on its axis in Graeme Simsion’s unpredictable and unusual debut The Rosie Project.

Don solely narrates this clever and enjoyable romance, bicycling his way into our hearts just as he rides into Rosie’s.  Don suffers from debilitating social incompetence, keeping societal interactions to a minimum and following a rigid schedule.  To put it simply, Don is “wired differently” and has difficulty empathizing with others.  Simsion infuses his narrative with Don’s eccentricities (such as eating lobster only on Tuesdays and arriving on time, not early, to everything) with tenderness, humor, and poignancy.

 

Don, at 39, has never had a second date.  He hopes a compatible woman will surface from the questionnaires he creates.  Enter Rosie.

 

Rosie, a psychology student and bartender, hopes to identify her biological father and enlists Don’s aid.  Don finds everything about Rosie unsuitable, but he has never been happier than he is when he is by her side.  She is like a whirlwind: “In the last eight weeks I had experienced two of the three best times of my adult life…with Rosie.  Was there a correlation?”

Before long, Don abandons the Wife Project in favor of the Father Project.  Simsion makes it abundantly clear to readers that we are all on board for the most significant task at hand: the Rosie Project.

Simsion shines as he chronicles both Don’s courageous journey and character development .  The seemingly unalterable Don undergoes big changes throughout the novel.  His progression astounds but is always convincing and realistic.  Don’s idiosyncrasies make him stand out and make him unforgettable.  I daresay he is not a personality one would forget.

Equally vital to the novel is Rosie, yet she does not help narrate the tale. Although I do not feel the omission hurts or diminishes the story in any way, I cannot help but wonder how different The Rosie Project would have been if Simsion had offered her perspective.

The Rosie Project features two people on a quest, intent on their separate, individual goals.  Both, however, are on a collision course with the other.  Not since Will and Lou in Jojo Moyes’ 2012 international bestseller Me Before You have I seen such chemistry between main characters.  Equal parts hilarious and heartfelt, The Rosie Project is a quirky, wholly modern story about identity, love, and acceptance.  When I closed the book, I was saddened to leave Rosie and Don behind, but these well-crafted characters and their incredible journey to love will stay with me always. Book clubs will go crazy for these two, lit’s new “It” couple.  Dosie, anyone?  In any case, Simsion’s message is clear: “If you really love someone…you have to be prepared to accept them as they are.”

 

 

 

 

 

 

 

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The Good Lord Bird by James McBride

Book Review: The Good Lord Bird by James McBride (Riverhead Books; 432 pages; $27.95).

Throughout history and fiction, women have disguised themselves as men; it is quite uncommon, though, for a boy to disguise good-lord-bird1.jpghimself as a girl and continue the charade for decades.  However, that is just what Little Onion does in James McBride’s brilliant and exhilarating novel The Good Lord Bird.  McBride re-imagines the life of John Brown and his followers while simultaneously fashioning a remarkable and amusing character in the form of Little Onion.  Through Little Onion’s eyes, McBride recreates Brown’s raid on Harper’s Ferry, one of the most crucial chapters in American history and one that helped spark the Civil War.

History has shown us just how charismatic Brown could be, but the magnetic Little Onion steals the spotlight from Brown time and again.  Born in Kansas Territory, young Henry Shackleford is a slave when pro-slavery and anti-slavery factions make the state a battleground, hence the term “Bleeding Kansas.”  Brown arrives and gets involved in an argument in a local barber shop.  The ensuing act of violence forces Brown to flee—with Henry in tow.  The kicker is that Brown thinks Henry is a girl named Henrietta.  Henry does not tell Brown the truth about his gender.

“Truth is,” McBride writes, “lying come natural to all Negroes during slave time, for no man or woman in bondage ever prospered stating their true thoughts to the boss.  Much of colored life was an act, and the Negroes that sawed wood and said nothing lived the longest.  So I weren’t going to tell him nothing about me being a boy.”

If that does not make you laugh or at least smile, consider this: Henry is skilled at the art of zinging one-liners and entertains even in the gravest of situations.  When Brown goes off on tangents, Henry admits, “I didn’t know what the hell he was talking about, but, being he was a lunatic, I nodded my head yes.”

The young slave “girl” makes a big impression on Brown when “she” eats his good-luck charm—an onion.  From that moment on, Brown calls Henry “Little Onion.”  McBride’s two main characters play well off each other and make for humorous reading.

Little Onion’s masquerade also has a serious side and allows McBride to portray Henry as a trickster.  Henry’s charade is a variation of the traditional African trickster tale.  These stories, which originated in Africa and were part of the oral history of African American slaves, served as thinly-disguised social protest against white masters and featured animals as the main characters instead of real people.  In these parables, small, weak, seemingly powerless animals used their cunning to outwit larger, powerful creatures.  A rabbit might represent the weaker animal while a wolf stood for the larger one as is the case with the Briar Rabbit tales.  Whites saw such stories as fables, nothing more.  For slaves, the tales were altogether different and meaningful.  The allegories symbolically assaulted the powerful, who worked to ensnare slaves but who became themselves ensnared.  Trickster tales sought to upset traditional social roles and served as a vehicle allowing slaves to ridicule whites and get away with it.  By fooling John Brown, Henry sees himself as one-upping the white man.  His ruse works well, and that is a credit to McBride’s ingenuity.

James_McBrideMcBride cleverly juxtaposes drama and history with comedy and humor.  Uproarious laughs pepper Little Onion’s encounters with historical figures.  The funniest of these occurs when he meets Frederick Douglass (1818-1895), reformer, abolitionist, and former slave.  Upon their first meeting, Little Onion says, “Morning, Fred.”  Douglass is livid: “Don’t you know you are not addressing a pork chop, but rather a fairly considerable and incorrigible piece of the American Negro diaspora?”  A few pages later, an inebriated Douglass makes a pass at Henrietta and mistakenly calls her “Harlot” before finally saying “Don’t marry two women at once…Colored or white, it’ll whip you scandalous” (In The Good Lord Bird, Douglass commits bigamy as he is married to Anna Murray-Douglass and Ottilie Assing, a German journalist.  In actuality, Douglass never married Assing, but McBride’s vision makes for interesting reading).

Henry Shackleford may be a figment of McBride’s imagination but as you read this novel you forget that it’s fiction. McBride brings his characters to life like you’ve never seen them before.  A multi-faceted and marvelous story, The Good Lord Bird explores identity, home, place, survival, slave life, and how far a man will go for a cause.  Little Onion’s voice resonates with authenticity and humor.  In re-telling one of the most important events in American history, McBride creates a rousing romp of a story.

Breaking News–The Good Lord Bird has been longlisted for a 2013 National Book Award in fiction.  It’s my pick because I absolutely love it!

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The Maid’s Version by Daniel Woodrell

maids version

The Maid’s Version by Daniel Woodrell (Little, Brown and Company; 176 pages; $25).

No one brings the Ozarks region to life like Daniel Woodrell, critically acclaimed author of Winter’s Bone.  Woodrell’s newest work The Maid’s Version explores the causes and repercussions of a dance hall fire in West Table, Missouri, in 1929, in which 42 people were killed.  The bodies were so horrifically burned that loved ones identified many victims only by the trinkets and effects they left behind.  Woodrell ably illustrates how tragedy knows no income level and can reverberate through many generations.

Woodrell’s masterful talents are on full and prominent display in ThMaid’s Version as he mines the depths of real history in this novel.  A similar and equally dreadful catastrophe occurred in a dance hall in West Plains, Missouri, in 1928.  The explosion took the lives of 39 men and women; the cause of the fire still remains a mystery.

In The Maid’s Version, Alma DeGeer Dunahew thinks she has the answers.  Alma, mother of three young boys, wife to a husband who is mostly absent, and maid to a prominent family, lost her outrageous but much-loved sister in the explosion.  Convinced her sister’s illicit love affair with a powerful and very married man caused the fire, Alma upsets a lot of people and opens wounds that never healed.  Her long and fierce quest for the truth alienates her from those in her community and in her own family.

Years later, she tells all to her beloved grandson, urging him, “Tell it.  Go on and tell it.”  Alma is illiterate, and his words are her words.  It is a very powerful thing as his separation and distance from the awful event set him apart.  He is unbiased; he is meticulous; he is her proxy.

Woodrell superbly juxtaposes the end of the carefree and spirited 1920s with the dance hall fire followed by the Great Depression.  When tragedy first strikes the town, it never leaves as dejection, suspicion, and fear envelope the community.   Since The Maid’s Version is a fictionalized version of  an actual historical event, the story becomes even more compelling because it is painfully real and stunningly rendered.  With spare prose, unforgettable characters, and a setting that fully captures the period, The Maid’s Version is a quick read but one that lingers and deeply satisfies.

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Spotlight on Songs of Willow Frost by Jamie Ford

Jamie Ford’s debut Hotel on the Corner of Bitter and Sweet ranks in my top 10 favorite novels of all time.  I was so excited to get my hands on his newest work of fiction, Songs of Willow Frost, out today from Ballantine.

About the Book:

songs of willow frost

Twelve-year-old William Eng, a Chinese-American boy, has lived at Seattle’s Sacred Heart Orphanage ever since his mother’s listless body was carried away from their small apartment five years ago. On his birthday—or rather, the day the nuns designate as his birthday—William and the other orphans are taken to the historical Moore Theatre, where William glimpses an actress on the silver screen who goes by the name of Willow Frost. Struck by her features, William is convinced that the movie star is his mother, Liu Song.
Determined to find Willow, and prove his mother is still alive, William escapes from Sacred Heart with his friend Charlotte. The pair navigates the streets of Seattle, where they must not only survive, but confront the mysteries of William’s past and his connection to the exotic film star. The story of Willow Frost, however, is far more complicated than the Hollywood fantasy William sees onscreen.

Shifting between the Great Depression and the 1920s, Songs of Willow Frost takes readers on an emotional journey of discovery. Jamie Ford’s sweeping book will resonate with anyone who has ever longed for the comforts of family and a place to call home.

About The Author:

My name is James. Yes, I’m a dude.

I’m also the New York Times bestselling author of Hotel on the Corner of Bitter and Sweet—which was, in no particular order, an IndieBound NEXT List Selection, a Borders Original Voices Selection, a Barnes & Noble Book Club Selection, Pennie’s Pick at Costco, a Target Bookmarked Club Pick, and a National Bestseller. It was also named the #1 Book Club Pick for Fall 2009/Winter 2010 by the American Booksellers Association.

In addition, Hotel has been translated into 34 languages. I’m still holding out for Klingon (that’s when you know you’ve made it).

I’m an alumnus of the Squaw Valley Community of Writers and a survivor of Orson Scott Card’s Literary Bootcamp.

My next novel, SONGS OF WILLOW FROST, should be hitting shelves September 10, 2013! And I’m also working on a YA (Young Adult) series that even my agent doesn’t know about…yet.

Bookmagnet Says:

Four words: Wow.  My God.  Wow.  I guess that’s technically three, but you’ll probably share my sentiment once you read Ford’s story.

This book has everything.  It’s steeped in rich history, placed during a time of great suffering yet also a period in which modern cinema was born.  The characters leap off the page right into your heart.  The well-paced plot means you will not be able to put Songs of Willow Frost down until you finish the book.    A quest for identity, for forgiveness, for understanding, for reunion, Songs of Willow Frost proves you sometimes have to suffer to recognize and seize true happiness.  I loved Songs of Willow Frost every bit as much as Hotel on the Corner of Bitter and Sweet.  Jamie Ford is no one-hit wonder.  No one writes a boy’s coming-of-age like he can.  

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Spotlight on Rivers by Michael Farris Smith

Coming September 10 from Simon & Schuster

It had been raining for weeks. Maybe months. He had forgotten the last day that it hadn’t rained, when the storms gave way to the pale blue of the Gulf sky, when the birds flew and the clouds were white and sunshine glistened across the drenched land.

About The Book:
riversFollowing years of catastrophic hurricanes, the Gulf Coast—stretching from the Florida panhandle to the western Louisiana border—has been brought to its knees. The region is so punished and depleted that the government has drawn a new boundary ninety miles north of the coastline. Life below the Line offers no services, no electricity, and no resources, and those who stay behind live by their own rules.

Cohen is one who stayed. Unable to overcome the crushing loss of his wife and unborn child who were killed during an evacuation, he returned home to Mississippi to bury them on family land. Until now he hasn’t had the strength to leave them behind, even to save himself.

But after his home is ransacked and all of his carefully accumulated supplies stolen, Cohen is finally forced from his shelter. On the road north, he encounters a colony of survivors led by a fanatical, snake-handling preacher named Aggie who has dangerous visions of repopulating the barren region.

Realizing what’s in store for the women Aggie is holding against their will, Cohen is faced with a decision: continue to the Line alone, or try to shepherd the madman’s captives across the unforgiving land with the biggest hurricane yet bearing down—and Cohen harboring a secret that may pose the greatest threat of all.

Eerily prophetic in its depiction of a southern landscape ravaged by extreme weather, Rivers is a masterful tale of survival and redemption in a world where the next devastating storm is never far behind.

About The Author:

Michael Farris Smith’s new novel, RIVERS, is forthcoming from Simon & Schuster in September 2013. RIVERS transforms the michael farris smithMississippi Gulf Coast into a lawless, abandoned region following years of devastating hurricanes. His 2011 Paris novella, “The Hands of Strangers,” has been praised as a “fantastic debut” by Publisher’s Weekly. He is a native Mississippian who has lived in France and Switzerland and has been awarded the Mississippi Arts Commission Literary Arts Fellowship and the Transatlantic Review Award for Fiction. 

Bookmagnet Says:
It’s fitting that Michael Farris Smith’s riveting novel Rivers comes out smack-dab in the middle of hurricane season.  Rivers will leave you chilled, gasping, and shaken to the core.  The author gives readers so much to ponder: could this be our future? Some things are no-brainers: you will never be able to get Cohen or the irrevocably altered landscape of the Gulf South out of your mind.

 

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Great September Reads

Typically, publishers unveil some of the year’s best and biggest books in September.  Cooler weather means weightier, more serious novels.  The same is true for 2013, and I so welcome them!

Here are THE titles to read this month (or at least according to Bookmagnet).

What To Read Now:

affairs of others

From Picador

A MESMERIZING DEBUT NOVEL ABOUT A YOUNG WOMAN, HAUNTED BY LOSS, WHO REDISCOVERS PASSION AND POSSIBILITY WHEN SHE’S DRAWN INTO THE TANGLED LIVES OF HER NEIGHBORS

Five years after her young husband’s death, Celia Cassill has moved from one Brooklyn neighborhood to another, but she has not moved on. The owner of a small apartment building, she has chosen her tenants for their ability to respect one another’s privacy. Celia believes in boundaries, solitude, that she has a right to her ghosts. She is determined to live a life at a remove from the chaos and competition of modern life. Everything changes with the arrival of a new tenant, Hope, a dazzling woman of a certain age on the run from her husband’s recent betrayal. When Hope begins a torrid and noisy affair, and another tenant mysteriously disappears, the carefully constructed walls of Celia’s world are tested and the sanctity of her building is shattered—through violence and sex, in turns tender and dark. Ultimately, Celia and her tenants are forced to abandon their separate spaces for a far more intimate one, leading to a surprising conclusion and the promise of genuine joy. 

Amy Grace Loyd investigates interior spaces of the body and the New York warrens in which her characters live, offering a startling emotional honesty about the traffic between men and women. The Affairs of Others is a story about the irrepressibility of life and desire, no matter the sorrows or obstacles. 

Coming Soon:

September 3 from Little, Brown and Company

The American master’s first novel since Winter’s Bone (2006) tells of a deadly dance hall fire and its impact over several maids versiongenerations.

Alma DeGeer Dunahew, the mother of three young boys, works as the maid for a prominent citizen and his family in West Table, Missouri. Her husband is mostly absent, and, in 1929, her scandalous, beloved younger sister is one of the 42 killed in an explosion at the local dance hall. Who is to blame? Mobsters from St. Louis? The embittered local gypsies? The preacher who railed against the loose morals of the waltzing couples? Or could it have been a colossal accident? Alma thinks she knows the answer-and that its roots lie in a dangerous love affair. Her dogged pursuit of justice makes her an outcast and causes a long-standing rift with her own son. By telling her story to her grandson, she finally gains some solace-and peace for her sister. He is advised to “Tell it. Go on and tell it”-tell the story of his family’s struggles, suspicions, secrets, and triumphs.

 

 

September 3 from Algonquin

explanationThere is nothing inherently threatening about Melissa, a young evangelist hoping to write the definitive paper on intelligent design. But when she implores Andy Waite, a biology professor and a hardcore evolutionist, to direct her independent study, she becomes the catalyst for the collapsing house of cards surrounding him. As he works with Melissa, Andy finds that everything about his world is starting to add up differently. Suddenly there is the possibility of faith. But with it come responsibility and guilt—the very things that Andy has sidestepped for years. 

Professor Waite is nearing the moment when his life might settle down a bit: tenure is in sight, his daughters are starting to grow up, and he’s slowly but surely healing from the sudden loss of his wife. His life is starting to make sense again—until the scientific stance that has defined his life(and his work) is challenged by this charismatic student.

In a bravura performance, Lauren Grodstein dissects the permeable line between faith and doubt to create a fiercely intelligent story about the lies we tell ourselves, the deceptions we sustain with others, and how violated boundaries—between students and teachers, believers and nonbelievers—can have devastating consequences.

 

September 3 from Nan A. Talese

Months after the Waterless Flood pandemic has wiped out most of humanity, Toby and Ren have rescued their friend Amanda from maddaddamthe vicious Painballers. They return to the MaddAddamite cob house, newly fortified against man and giant pigoon alike. Accompanying them are the Crakers, the gentle, quasi-human species engineered by the brilliant but deceased Crake. Their reluctant prophet, Snowman-the-Jimmy, is recovering from a debilitating fever, so it’s left to Toby to preach the Craker theology, with Crake as Creator. She must also deal with cultural misunderstandings, terrible coffee, and her jealousy over her lover, Zeb. 

Zeb has been searching for Adam One, founder of the God’s Gardeners, the pacifist green religion from which Zeb broke years ago to lead the MaddAddamites in active resistance against the destructive CorpSeCorps. But now, under threat of a Painballer attack, the MaddAddamites must fight back with the aid of their newfound allies, some of whom have four trotters. At the center of MaddAddam is the story of Zeb’s dark and twisted past, which contains a lost brother, a hidden murder, a bear, and a bizarre act of revenge. 

Combining adventure, humor, romance, superb storytelling, and an imagination at once dazzlingly inventive and grounded in a recognizable world, MaddAddam is vintage Margaret Atwood—a moving and dramatic conclusion to her internationally celebrated dystopian trilogy.

 

September 10 from Ballantine

songs of willow frostTwelve-year-old William Eng, a Chinese-American boy, has lived at Seattle’s Sacred Heart Orphanage ever since his mother’s listless body was carried away from their small apartment five years ago. On his birthday—or rather, the day the nuns designate as his birthday—William and the other orphans are taken to the historical Moore Theatre, where William glimpses an actress on the silver screen who goes by the name of Willow Frost. Struck by her features, William is convinced that the movie star is his mother, Liu Song.

Determined to find Willow, and prove his mother is still alive, William escapes from Sacred Heart with his friend Charlotte. The pair navigates the streets of Seattle, where they must not only survive, but confront the mysteries of William’s past and his connection to the exotic film star. The story of Willow Frost, however, is far more complicated than the Hollywood fantasy William sees onscreen.

Shifting between the Great Depression and the 1920s, Songs of Willow Frost takes readers on an emotional journey of discovery. Jamie Ford’s sweeping book will resonate with anyone who has ever longed for the comforts of family and a place to call home.

 

September 10 from Simon & Schuster

It had been raining for weeks. Maybe months. He had forgotten the last day that it hadn’t rained, when the storms gave riversway to the pale blue of the Gulf sky, when the birds flew and the clouds were white and sunshine glistened across the drenched land.

Following years of catastrophic hurricanes, the Gulf Coast—stretching from the Florida panhandle to the western Louisiana border—has been brought to its knees. The region is so punished and depleted that the government has drawn a new boundary ninety miles north of the coastline. Life below the Line offers no services, no electricity, and no resources, and those who stay behind live by their own rules.

Cohen is one who stayed. Unable to overcome the crushing loss of his wife and unborn child who were killed during an evacuation, he returned home to Mississippi to bury them on family land. Until now he hasn’t had the strength to leave them behind, even to save himself.

But after his home is ransacked and all of his carefully accumulated supplies stolen, Cohen is finally forced from his shelter. On the road north, he encounters a colony of survivors led by a fanatical, snake-handling preacher named Aggie who has dangerous visions of repopulating the barren region.

Realizing what’s in store for the women Aggie is holding against their will, Cohen is faced with a decision: continue to the Line alone, or try to shepherd the madman’s captives across the unforgiving land with the biggest hurricane yet bearing down—and Cohen harboring a secret that may pose the greatest threat of all.

Eerily prophetic in its depiction of a southern landscape ravaged by extreme weather, Rivers is a masterful tale of survival and redemption in a world where the next devastating storm is never far behind.

 

September 10 from Random House

enonThe next novel by the Pulitzer Prize-winning author of Tinkers, in which a father’s grief over the loss of his daughter threatens to derail his life.

Powerful, brilliantly written, and deeply moving Paul Harding has, in Enon, written a worthy successor to Tinkers, a debut which John Freeman on NPR called “a masterpiece.” Drawn always to the rich landscape of his character’s inner lives, here, through the first person narrative of Charlie Crosby (grandson to George Crosby of Tinkers), Harding creates a devastating portrait of a father trying desperately to come to terms with family loss.

 

 

 

 

September 10 from Doubleday

A dazzling novel from one of our finest writers—an epic yet intimate family saga about three generations of all-dissident gardensAmerican radicals

At the center of Jonathan Lethem’s superb new novel stand two extraordinary women. Rose Zimmer, the aptly nicknamed Red Queen of Sunnyside, Queens, is an unreconstructed Communist and mercurial tyrant who terrorizes her neighborhood and her family with the ferocity of her personality and the absolutism of her beliefs. Her brilliant and willful daughter, Miriam, is equally passionate in her activism, but flees Rose’s suffocating influence and embraces the Age of Aquarius counterculture of Greenwich Village.

Both women cast spells that entrance or enchain the men in their lives: Rose’s aristocratic German Jewish husband, Albert; her nephew, the feckless chess hustler Lenny Angrush; Cicero Lookins, the brilliant son of her black cop lover; Miriam’s (slightly fraudulent) Irish folksinging husband, Tommy Gogan; their bewildered son, Sergius. These flawed, idealistic people all struggle to follow their own utopian dreams in an America where radicalism is viewed with bemusement, hostility, or indifference.

As the decades pass—from the parlor communism of the ’30s, McCarthyism, the civil rights movement, ragged ’70s communes, the romanticization of the Sandinistas, up to the Occupy movement of the moment—we come to understand through Lethem’s extraordinarily vivid storytelling that the personal may be political, but the political, even more so, is personal.

Brilliantly constructed as it weaves across time and among characters,Dissident Gardens is riotous and haunting, satiric and sympathetic—and a joy to read.

 

September 17 from Soho

a beautiful truthTold simultaneously from the perspective of humans and chimpanzees, set in a Vermont home and a Florida primate research facility, A Beautiful Truth—at times brutal, other times deeply moving—is about the simple truths that transcend species, the meaning of family, the lure of belonging, and the capacity for survival.

A powerful and haunting meditation on human nature told from the dual perspectives of a Vermont family that has adopted a chimp as a surrogate son, and a group of chimpanzees in a Florida research institute.

Looee, a chimp raised by a well-meaning and compassionate human couple who cannot conceive a baby of their own, is forever set apart.  He’s not human, but with his peculiar upbringing he is no longer like other chimps.  One tragic night Looee’s two natures collide and their unique family is forever changed.

At the Girdish Institute in Florida, a group of chimpanzees has been studied for decades.  The work at Girdish has proven that chimps have memories and solve problems, that they can learn language and need friends, and that they build complex cultures. They are political, altruistic, get angry, and forgive. When Looee is moved to the Institute, he is forced to try to find a place in their world.

A Beautiful Truth is an epic and heartfelt story about parenthood, friendship, loneliness, fear and conflict, about the things we hold sacred as humans and how much we have in common with our animal relatives. A novel of great heart and wisdom from a literary master, it exposes the yearnings, cruelty, and resilience of all great apes.

 

September 24 from Little, Brown and Company

A taut, thrilling adventure story about buried treasure, a manhunt, and a woman determined to make a new life for herself in the outcastsold west.

It’s the 19th century on the Gulf Coast, a time of opportunity and lawlessness. After escaping the Texas brothel where she’d been a virtual prisoner, Lucinda Carter heads for Middle Bayou to meet her lover, who has a plan to make them both rich, chasing rumors of a pirate’s buried treasure. 

Meanwhile Nate Cannon, a young Texas policeman with a pure heart and a strong sense of justice, is on the hunt for a ruthless killer named McGill who has claimed the lives of men, women, and even children across the frontier. Who–if anyone–will survive when their paths finally cross? 

As Lucinda and Nate’s stories converge, guns are drawn, debts are paid, and Kathleen Kent delivers an unforgettable portrait of a woman who will stop at nothing to make a new life for herself.

 

 

September 24 from A.A. Knopf

lowlandTwo brothers bound by tragedy; a fiercely brilliant woman haunted by her past; a country torn by revolution: the Pulitzer Prize winner and #1 New York Times best-selling author gives us a powerful new novel-set in both India and America-that explores the price of idealism and a love that can last long past death.

Growing up in Calcutta, born just fifteen months apart, Subhash and Udayan Mitra are inseparable brothers, one often mistaken for the other. But they are also opposites, with gravely different futures ahead of them. It is the 1960s, and Udayan-charismatic and impulsive-finds himself drawn to the Naxalite movement, a rebellion waged to eradicate inequity and poverty: he will give everything, risk all, for what he believes. Subhash, the dutiful son, does not share his brother’s political passion; he leaves home to pursue a life of scientific research in a quiet, coastal corner of America. But when Subhash learns what happened to his brother in the lowland outside their family’s home, he comes back to India, hoping to pick up the pieces of a shattered family, and to heal the wounds Udayan left behind-including those seared in the heart of his brother’s wife.

Suspenseful, sweeping, piercingly intimate, The Lowland expands the range of one of our most dazzling storytellers, seamlessly interweaving the historical and the personal across generations and geographies. This masterly novel of fate and will, exile and return, is a tour de force and an instant classic.

 


September 24 from St. Martin’s Press

When prestigious plantation owner Cornelius Allen gives his daughter Clarissa’s hand in marriage, she takes with her a gift: Sarah—wedding gifther slave and her half-sister.  Raised by an educated mother, Clarissa is not a proper southern belle she appears to be with ambitions of loving who she chooses and Sarah equally hides behind the façade of being a docile house slave as she plots to escape. Both women bring these tumultuous secrets and desires with them to their new home, igniting events that spiral into a tale beyond what you ever imagined possible and it will leave you enraptured until the very end.

Told through alternating viewpoints of Sarah and Theodora Allen, Cornelius’ wife, Marlen Suyapa Bodden’s The Wedding Gift is an intimate portrait that will leave readers breathless.

 

 

 

 

 

 

Now that you know my picks for the best books of September, I want to hear from you!  Which titles will you read?  What books are you hoping to read in September?

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Claire of the Sea Light by Edwidge Danticat

Book Review: Claire of the Sea Light by Edwidge Danticat

(Alfred A. Knopf; 256 pages; $25.95).

claireIn Claire of the Sea Light, Edwidge Danticat, author of The Dew Breaker, brings the rich culture of Haiti to life on the page.  Despite the title, the story is less about the main character, Claire Limyè Lanmè (“Claire of the Sea Light”) Faustin, than the people who inhabit the Haitian village of Ville Rose.  Danticat expertly charts how tragedy is an everyday occurrence in the community as mothers die in childbirth, daughters in car accidents, fathers from gunshot wounds, and friends are lost to the sea.  Nozias, Claire’s father, worries over the fate of his daughter if an accident should befall him.  His anxiety has merit, as he and his neighbors live precariously: disaster is part of their everyday lexicon.   Nozias knows this more than most as his wife died while giving birth to Claire.  Danticat does an excellent job of placing the reader in his mindset, urging us to sympathize with a father desperate to make the right choices for his daughter.  When Claire turns ten, Nozias decides to give her to a local woman, who lost her own daughter in a horrific accident, to raise.  Claire gets wind of the plan and flees.  Danticat’s storyline suffers as she explores the lives of villagers and loses her overall focus.  Although the plot periodically meanders, the author’s language is magical and striking.  A “wall of water” rose “from the depths of the ocean, a giant blue-green tongue, trying, it seemed, to lick a pink sky.”  Sometimes when Claire was “lying on her back in the sea, her toes pointed, her hands facing down, her ears half submerged, while she was listening to both the world above and beneath the water, she yearned for the warm salty water to be her mother’s body, the waves her mother’s heartbeat, the sunlight the tunnel that guided her out the day her mother died.” Ultimately, Claire of the Sea Light is a breathtaking but sometimes uneven character-driven novel.

  

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Spotlight on The Good Lord Bird by James McBride

good lord bird

About The Book:

From Riverhead Hardcover

From the bestselling author of The Color of Water and Song Yet Sung comes the story of a young boy born a slave who joins John Brown’s antislavery crusade—and who must pass as a girl to survive.

Henry Shackleford is a young slave living in the Kansas Territory in 1857, when the region is a battleground between anti- and pro-slavery forces. When John Brown, the legendary abolitionist, arrives in the area, an argument between Brown and Henry’s master quickly turns violent. Henry is forced to leave town—with Brown, who believes he’s a girl.

Over the ensuing months, Henry—whom Brown nicknames Little Onion—conceals his true identity as he struggles to stay alive. Eventually Little Onion finds himself with Brown at the historic raid on Harpers Ferry in 1859—one of the great catalysts for the Civil War.

An absorbing mixture of history and imagination, and told with McBride’s meticulous eye for detail and character, The Good Lord Bird is both a rousing adventure and a moving exploration of identity and survival.

About The Author:

James McBride is an author, musician and screenwriter. His landmark memoir, “The Color of Water,” is considered an American James_McBrideclassic and read in schools and universities across the United States. His debut novel, “Miracle at St. Anna” was translated into a major motion picture directed by American film icon Spike Lee. It was released by Disney/Touchstone in September 2008. James also wrote the script for the film, now available on DVD. His novel, “Song Yet Sung,” was released in paperback in January 2009. His new novel about American revolutionary John Brown will be released in Feb. 2013. His latest work is the August 2013 film “Red Hook Summer” which he co-wrote and co-produced with acclaimed director Spike Lee.

James is the worst dancer in the history of African Americans, bar none, going back to slavetime and beyond. He should be legally barred from dancing at any party he attends. He dances with one finger in the air like a white guy.

He is also a former staff writer for The Boston Globe, People Magazine and The Washington Post. His work has appeared in Essence, Rolling Stone, and The New York Times. His April, 2007 National Geographic story entitled “Hip Hop Planet” is considered a respected treatise on African American music and culture.

James toured as a sideman with jazz legend Jimmy Scott among others. He has also written songs (music and lyrics) for Anita Baker, Grover Washington Jr., Purafe, Gary Burton, and even for the PBS television character “Barney.” He did not write the “I Love You” song for Barney but wishes he did. He received the Stephen Sondheim Award and the Richard Rodgers Foundation Horizon Award for his musical “Bo-Bos” co-written with playwright Ed Shockley. His 2003 “Riffin’ and Pontificatin’ ” Musical Tour was captured in a nationallly televised Comcast documentary. He has been featured on national radio and television in America, Europe, Australia and New Zealand.

James is a native New Yorker and a graduate of  New York City public schools. He studied composition at The Oberlin Conservatory of Music in Ohio and received his Masters in Journalism from Columbia University in New York at age 22. He holds several honorary doctorates and is currently a Distinguished Writer in Residence at New York University.

Bookmagnet Says:

I cannot stop thinking about McBride’s newest novel.  Little Onion’s voice resonates with authenticity and humor.  In re-imagining one of the most important events in American history, McBride creates a rousing romp of a story.  I absolutely loved it and plan on reviewing the book next week.

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